The wedding dress designed for a movie by Travis Banton as part of Butterick’s Starred Patterns series (August 1933) appeared in The Delineator again the very next month, with no mention of Travis Banton as its designer. This time, it was the centerpiece in a “Church Wedding” feature.
The pin-tucked yoke and the sleeves are the same sheer fabric as the veil; the dress is satin.
The Maid of Honor’s dress, No. 5269, was illustrated before, in August, and given the name “Wings.” Like many dresses for a wedding party, it was also a normal party dress — and shown on a much younger model.
“From the [bride’s] trousseau comes ‘Wings,’ a charming, creamy white taffeta dress with wings over the shoulders and flaring godets around the bottom that give a quaint, petticoated look. Don’t miss the garnet belt and the circlet of garnets in the hair. Glittering stars and circlets reflect the light on many smooth heads in Paris these days.” — R. S. in Delineator, August 1933.
The Bridesmaid’s dress, Butterick pattern 5183, also had an independent life:
Apparently, if you tired of the Letty Lynton ruffles, you could wear the dress without its “fichu.” I wasn’t able to find a picture of it without the fichu, unfortunately, although this illustration from the 1933 catalog shows the fichu/capelet and sleeves made of a different fabric than the dress.
Of course, hats were needed for a church ceremony, but the velvet hats illustrated here look like streetwear in surprisingly dark shades. Perhaps they’re a penny-pinching nod to Depression Era budgets.