Coats, Suits, and Print dresses, March 1926

Some of the colors used here are now associated with an autumn palette, but these Spring clothes for women from March, 1926, have their own charm.

A page of patterns for young women, Delineator, March 1926, page 27.

Skirts were still below the knee, except for young girls, but the Art Deco fabrics and geometric touches I love about the twenties are definitely present.

Women’s coats could be sleek or sporty:

Butterick coat pattern 6668, in black, and coat 6639 over dress 6653. March 1926. Fashions for women.

Capes were also popular, sometimes being attached to dresses or coats.

Butterick dresses 6662 (in Vermilion red) and 6659, shown with cape 6618. March, 1926. These are for young women.

Dresses with a fitted basque (i.e., bodice) and a gathered skirt, like No. 6662,  were often worn by young heroines in the movies. No. 6659, in olive and black with a vaguely Asian print, looks like a skirt and blouse, but is really a dress.

Butterick suit 6641, caped coat No. 6622, and coat 6674. A tiny view of the dresses under this coat and Coat 6655, below, appeared in a circle between them.

Butterick coat 6685, coat-dress 6652, and another dress posing as separates, No. 6643. March 1926, Delineator. No. 6643 is made from a border print which increases in scale. The burnt orange band is printed on the dress fabric.

Butterick dresses 6648 and 6587, March 1926.

Women’s clothes included a double-breasted “box coat” (Butterick 6603) worn with a matching skirt (no. 6601) and blouse (6649); coat 6613 is shown over a coordinating green dress which matches its lining (6602); coat 6666 (right) is flared at the hem and made in a warm rust color. Delineator, March 1926.

Coats for young teens and even for little girls are as chic as adult versions:

Butterick coats for girls up to 15 (left) and for little girls, right, echo adult styles. 1926. Butterick 6609 with hat 6327; coat 6671 with hat 5952; girls’ coat patterns have collars, flare, and a capelet, just like their elders’.

Five different Butterick cloche hat patterns were illustrated — plus the turban shown with this matching cape and dress:

Butterick cape 6618 with dress 6642 and matching turban (Butterick pattern 6634.) March, 1926. Delineator, p.28.

“Ensemble coats and frocks are no longer dependent upon each other for color — they may match or they may not; but, if not, the contrast must be studied and chic.”

Text, page 29; Delineator, March 1926.

Dresses were often made of colorful printed fabrics.

Six dresses for women, Delineator page 29, March 1926.

Butterick patterns 6640, shown in a geometric pink border print; Butterick 6610, with sheer embroidered sleeves, and Butterick 6623, illustrated in a print inspired by Chinese cloud designs.

A very “twenties” abstract print in blue and white (Butterick pattern 6655;) a floral print on black (6647,) and a dark green dress with geometric accents (6658,) 1926.

More print dresses were illustrated in black and white:

Print dresses for young women, 1926. Butterick patterns 6648, 6679, 6687, and 6659. Delineator, p. 26, March 1926. The diamond-patterned dress is another border print; the dress at far left [correction: far right] plays with stripes and angles; a green and black print version appeared at the top of this post.

Of course, young women need party dresses for spring dances and graduation parties; these are made special by hand embroidery in beads or silk floss. (Butterick sold embroidery transfers, and featured lots of embroidery on 1920’s dresses.)

Party or evening frocks for young women, Delineator, page 26, March 1926. Dresses 6645 and 6676; embroidery transfers 10357 and 10425. 1926. Both dresses have scalloped hemlines, perhaps trimmed with beads. [It’s hard to believe that dress 6645 would flare like that when weighted down with beads, however.]

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4 Comments

Filed under 1920s, Children's Vintage styles, Hats, Vintage Accessories, Vintage patterns

4 responses to “Coats, Suits, and Print dresses, March 1926

  1. So much to love here, although the basic silhouette is not for me. But the collars and prints (especially the blue and white deco print) are inspiring. And so much orange! These posts are an education in the color choices of different eras.

    • I know that some sort of industry committee gets together to choose colors for the coming year – which allows manufacturers of clothing and cosmetics, or upholstery and decor items, to plan ahead. (Remember Aztec gold and avocado kitchen appliances?) Some color combinations just scream “Fifties” or “Seventies.” I guess red-orange with black is classic mid-1920’s. (In jewelry, jade or emerald green with black and white is still beautiful to me.) Forest green clothing doesn’t show up often enough for me!

  2. Christina

    The American Textile Color Card Association founded in 1915 looked to Paris for color trends and standardized color for American industries. It had representatives based in Paris who reported back to the TCCA.

    • Thank you –as always, you have amazing information at your fingertips. I only remembered reading an article about coordinating lipstick and fashion colors many years ago. It makes sense that textile color projections would be useful to home decor, cosmetics, and even appliance manufacturers.

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