In “The What and Why of My Shoe Wardrobe,” opera singer (and multi-talented actor/writer) Kathleen Howard shared her thoughts about the shoes and slippers she found necessary for private and public life. (She owned a lot more than nine pairs of shoes!)
The illustration was also noteworthy for the bracelets she is shown wearing:
This is the 1920’s shoe I found most amazing:
Kathleen Howard’s other shoes, from top left:
Click here to see Perugia mask shoes and other gorgeous Twenties’ shoes.
Some of Howard’s other “slippers” are pictured later.
“To wear with white clothes in the south there are oxfords of white lizard, the cleanest looking-things imaginable. Lizard has a peculiar neatness about it, caused, I suppose, by the tiny pattern of the poor little beast’s skin, which makes it most appealing. To wear with Southern clothes, Greco shows sandals in white kid trimmed with yellow or blue.” — Kathleen Howard
I find the word” slipper” confusing. Howard says she wears some of these high-heeled slippers with her negligee, so they are bedroom/boudoir slippers. But perhaps “slipper” also refers to fabric dancing shoes, like this blue satin sandal with gold kid trim, or that jewelled, ankle strap, white satin shoe?
Not pictured were Ms. Howard’s golf shoes. It looks like she did not treat herself to that pair of alligator golf shoes by Perugia:
Wow, What a Woman!
In 1928, as her singing career wound down, Kathleen Howard (b. 1884?) started working as a fashion editor for Harper’s Bazaar; she also wrote for the Saturday Evening Post and Ladies’ Home Journal. (In 1918 she had written Confessions of an Opera Singer.) Several years after this 1927 Delineator article was published, Howard began another new career in the movies, most notably as a brilliant foil for W. C. Fields in several comedies, including It’s a Gift (1934) and Man on the Flying Trapeze (1935.) Sistercelluloid.com has written a delightful appreciation of the versatile Ms. Howard. Click here to read it.