First, a new site for reading vintage magazines; next, a 1969 comic book about sewing classes for girls.
The Hathi Trust (working with Google) has been digitizing and posting vintage magazines, including Delineator, as soon as they fall out of copyright in the U.S. The Hathi Trust is up to 1922 now. That’s the good news.
You can flip through the magazines (select the two page layout from the icons at the far right) until something catches your eye. You can download pages or more as Pdfs. Some pages are in color.
Niggling details: The quality of the scans is very variable, sometimes overexposed, sometimes with blurry text.
We can’t expect perfection on every page — I feel lucky the pages are there at all.
Before 1921-22, Delineator was a large format magazine, 16 inches high, often with tiny, serif fonts that are hard to read even when I’m holding the original magazine in my hands, and even harder to photograph because the font is thin and low contrast.
If you look at the same page on the Hathi Trust, at least you can magnify it greatly.
I sympathize with how challenging it is to get these resources online at all.
The Hathi Trust digitizes materials from the libraries of member universities. They are bound volumes, usually containing January through June or July through December, so they are cataloged as one book rather than six issues. You may need a little patience to find what you want, although the text of each volume is searchable, which is very convenient. In 1910, Delineator numbered all the pages in a volume sequentially, so that January began with page numbers in the single digits and June reached the 400s. That’s not hard to navigate.
By 1914, (I don’t have the intervening years yet) each issue began with page 1 — which means you have to search for February, March, April, etc., and the “go to page” function only works within one issue at a time — not the whole volume. Tip: just to the right of the “GO” button is an icon for “sections” of the volume. You can figure out when a new “section” begins — i.e., a new month.
I have successfully downloaded images from the Hathi trust site, printed them, scanned them and used them in this blog — and I now can search for patterns by number (the same pattern often appears more than once, illustrated in different views.) I used this search function for the capes I wrote about recently. I had only photographed the alternate view of cape 2319; I found the other views on Hathi Trust.
“How To” Lessons in Delineator:
Just in: Delineator ran a series of articles on dressmaking and millinery making. For example, in 1910, Delineator Vol. 75, page 241 (and following pages) illustrates and describes the steps for making a Spring hat — from the wire frame to the finished hat. Click here. (There are more milinery lessons in 1910.) A search of 1909 (Vol. 74) will turn up more hat-making instructions. Other issues simply describe the newest hats and show photographs of them…. Like these gravity defying hats from 1905, Vol. 66.
To find more, search for Delineator and the year (e.g. “Delineator 1907”;) then narrow the list by selecting “Journals” from the column at left.
I have been so absorbed in Delineator that I’ve just begun to see what other magazines are available. Godey’s Lady Magazine for 1832 is there. Frank Leslie’s Ladies’ Magazine is there. Who knows what wonders you may find at Hathi Trust? I’ve added it to my sidebar list of Sites with Great Information,
Today’s second find is from a British site, The House of Mirelle, in Hull, England. It shares a glimpse of a comic book series aimed at teenaged girls in the sixties.
The 1969 Bunty Annual about Sewing Classes for Girls post will be nostalgic for some of us.
“The House of Mirelle was a high end fashion house that existed in the UK city of Hull between 1938 and 1978.” The website archives materials from these glory days of a thriving Hull city center.
Perfectionist sewing teachers probably caused a lot of tears over the years. San Francisco artist Dolores R. Gray has done a series of works using old sewing patterns and mannequins in remarkable ways. She told me there were uncut threads dangling from this one because, when she finished a dress she was really proud of, the only thing her teacher noticed was one uncut thread.
How perfect that the Bunty story was about a girl who really wanted to be an artist!