Tag Archives: 1920s dresses in color illustrations 1926 twenties

Another Look at April 1926

Delineator, page 27, April 1926. Butterick patterns for women.

I was getting ready to revisit some Delineator pattern illustrations from April 1926 when I decided that, because that was a time of glorious full-color illustrations, perhaps I should show some images from a three-year-old post again. Plus a few more….

At left, Butterick dress pattern 6686; at right, Butterick dress pattern 6737, shown decorated with Butterick embroidery transfer 10430. Delineator, April 1926, page 27.

The red dress is more complicated than it looks, with that curving torso recalling medieval sideless gowns and a section of pleats at each side of the overskirt.

Butterick patterns for women, Delineator, April 1926, top of page 27. Butterick 6692, 6704, and 6739.

I can’t help noticing that “spring colors” (or summer colors) were different in 1926.

Butterick fashions for April 1926.

Navy and white (or pale gray) is still a spring combination, but that two-tone green seems more autumnal to me.

A slightly spicy tan or gold makes this Spring box-jacket and skirt ensemble. Delineator, April 1926.

Clothes for children are colorful, too:

This print dress for young teens catches my eye. The tweedy outfit doesn’t shout “Spring! or Summer” to me.

Older teens might wear a print with black ground:

Butterick pattern 6650, shown in a black print fabric; Butterick cape coat 6769 over dress 6719; and another border print, Butterick 6683, in light and dark muted green. April 1926.

Butterick dress patterns for young women, April 1926; Delineator page 29. Butterick 6711 and 6728. Notice the bust dart at right.

A wide band with a tight fit around the low hip is seen in the print dress above and in the greenish dress below:

Left, Butterick dress pattern 6716 is embroidered with Butterick transfer pattern 10378. It could be worked in beads or in shiny thread. Right, Butterick 6715. Im trying to picture that dress on a normally proportioned body….Hmmmm.

The shawl worn with the white evening dress is not the usual, embroidered “Spanish shawl” but a very colorful hand-painted one. A similar shawl appeared in this 1927 advertisement for Ivory soap flakes.

This "Aztec" pattern hand painted shawl was made in the Samuel Russel Studio, New York, and illustrated by Katharine Stinger for an Ivory Soap Flakes ad. Delineator, March 1927.

This “Aztec” pattern painted shawl was made in the Samuel Russel Studio, New York, and illustrated by Katharine Stinger for an Ivory Soap Flakes ad. Delineator, March 1927.

April 1926 was a time for low, snug hip bands, often tied with a huge bow.

Butterick pattern 6743 is very snug around the hips. Delineator, April 1926, p. 27.

A bride tied up in a big, big bow. Butterick 6711, April 1926.

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Summer Color: July 1926

The top of page 28, Delineator, July 1926. These are Butterick patterns for women.

Bright colors were on view in the July issue of Delineator for 1926. The colors are not necessarily what we think of as summery hues, but they’re a nice reminder that the clothes we usually see in black and white photos were not colorless at all.

The colors of the left, Butterick pattern 6883, seem rather autumnal. The brilliant blue dress on the right, Butterick 6914, has a white smocking, a white collar, and a lively necktie which matches her hat. July, 1926.

Detail of Butterick 6883. The bib effect — like the bib on a man’s formal shirt front — is seen in many 1920’s dresses. The fullness at the front of the skirt is controlled with rows of ruching.

Detail of Butterick 6914. White smocking decorates the bodice and keeps the dress snug over the hips.

The necktie is not shaped like a man’s tie.

Left, Butterick 6914; right, Butterick 6906 in a very lively abstract print fabric. 1926.

The sleeves of Butterick 6906 are wide below the elbow and hang open. The tucks at the top of the skirt panels give a slim fit over the hips but allow the skirt panels to flare out. I don’t think I’ve seen this detail before.

Detail, Butterick dress 6906. The collar is not the dress material, but solid white. The print suggests flowers on a trellis.

These dresses appeared on the bottom of page 28:

Dresses featured on the bottom of page 28. (I moved the one on the left to make the image more compact.)

Butterick 6922 is shown made in lavender-blue striped fabric, cleverly turned to use the stripes horizontally in the center front, on the decorative pockets, and inside the skirt pleats.

Butterick 6916, shown in dark yellow material, is another “bib front” dress. Butterick 6922, in red, is accented with white smocking and worn with a gray and black scarf and matching hat. 1926.

Butterick 6916,  in yellow, has a small pocket above the hip belt.

Butterick 6922, in red, has a gathered front skirt panel (like No. 6883 on page 28) and smocking on the bodice and skirt, like No. 6914.

Left, No. 6922; right, No. 6914. Both dresses have white smocking, but in different smocking patterns. Women who didn’t want to do this hand sewing could always substitute machine ruching, but the liveliness of a contrast color would be lost.

Six more dress patterns, in more formal styles,  were illustrated in color on page 29:

Butterick patterns illustrated in Delineator magazine, July 1926, pg. 29. Illustrations were probably by Marie L. Britton, who also illustrated the May issue of Delineator, and many others.

From left, Butterick 6910, in green; 6899, in blue-gray, and 6893, in gold. Top of page 29, Delineator, July 1926.

In 1926, hemlines are rising toward the knee. It might be helpful to imagine these dresses on real women, rather than the oddly lengthened torsos of fashion illustrations.

Two mature women wearing Bien Jolie corsets; both ads are from 1926. [Younger women were rejecting bust flatteners by the mid-twenties.]

Fashion illustration and photo of model, 1926. The real woman is much less elongated: she’s shorter and wider. On the right, I removed a section from the middle of the fashion illustration, just for fun. It’s not perfect — the hip flounce looks too high now — but it’s more credibly human.

Fullness in the lower sleeve — or a funnel sleeve — is a common feature on these afternoon outfits.

Butterick 6910, July 1926. Scallops were a feature on many 1920’s dresses, not always on the hem.

Left, Butterick afternoon dress 6899; right, Butterick 6893. The sheer fabric is probably Georgette chiffon.

Bottom of page 29, Delineator, July 1926.

Dress 6912, in greige/tan, has elaborate embroidery on its full, sheer sleeves, which are controlled by parallel rows of gathers (ruching) at the top.

Left, Butterick 6912, with embroidery pattern 10355; right, Butterick 6920 is very formal afternoon wear.

The lower sleeves of No. 6920 seem to be one long strip of lace, open at the sides. Pale peachy-pink or tan was often used with sheer black. Click here for a vintage dress that uses these colors.

Butterick 6952 is an ensemble of a dotted dress and sheer coat, worn open down the front for a slenderizing line.

Redingote dresses like this — open down the front and often made of sheer fabric — were popular in the 1920’s and after. Next: Colorful 1926 clothing for girls and boys.

 

 

 

 

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Filed under 1920s, Corselettes, Corsets, Foundation Garments, Old Advertisements & Popular Culture, Sportswear, Uncategorized, Underthings, Underthings, Hosiery, Corsets, etc, Vintage patterns