In this illustration by Jean Desvignes for The Delineator, Butterick pattern #1090 is a classic of Style Moderne, the repeated curves of the lines of fringe accented by the repeated triangles in the model’s jewelry – and in the shape of her fingers, her stockings, and the elongated triangle formed by her legs. Even her shingled hair, worn smooth over the crown, curves to expose her earlobes and dangling earrings; the curves of the stylized 1920s rose in her hand and the curves and angles of the constructivist sculpture on the table echo the fringe.
The Chrysler Building’s Curves and Tringles
The tout ensemble reminds me of the Chrysler Building.
Here are some closer views of her Art Deco bracelets and the necklace cascading down her back (very 1920s!) 
Desvignes has given her a jeweled belt to echo her rhinestone-studded high heels – perhaps it was woven, like a necklace, of black and silver beads – or it may be artistic license, since it ties like a ribbon. It was possible to buy jeweled heels like this and have them put on your shoes. Here’s a closer view of the curves of her dress: 
Another View of the Same Pattern (#1090)
Devignes’ illustration was part of an advertisement for Butterick patterns, so it’s interesting to compare his version with this conventional pattern illustration, which appeared elsewhere in the same issue of this Delineator magazine.
“# 1090: Pale dawn-blue georgette spattered with crystal stars is intended for the night life that begins one day and ends the next. The uneven line of the tiers and the backward flutter from the shoulder are extremely chic. The frock is in one piece and may be trimmed with tiers of fringe and made with a higher neck and a sleeve for afternoon. [The version with sleeves was probably illustrated on the pattern envelope.] The design is beaded with sequins. [Butterick embroidery pattern #10422] Designed for women 32 to 44 bust.”
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