Tag Archives: Butterick dress 6719 from 1926 twenties 1920s

Colorful Fashions for April, 1926

Delineator, page 27, April 1926. Butterick patterns for women.

These Butterick patterns for April, 1926, were illustrated by Marie L. Britton. I did not record all the pattern information, but, based on other issues of Delineator magazine, the illustration style distinguishes between dresses for women (usually sized up to 44 inch bust) and dresses for young women 15 to 20, or for small women. Typical mid-twenties details include colorful prints, border prints, embroidery, and the contrast between the matte and shiny sides of crepe satin.

At left, Butterick dress pattern 6686; at right, Butterick dress pattern 6737, shown decorated with Butterick embroidery transfer 10430. Delineator, April 1926, page 27.

The dresses on page 27 were for adult women.

Butterick patterns for women, Delineator, April 1926, top of page 27. Butterick 6692, 6704, and 6739.

The dress in the center makes good use of a border print fabric which graduates from larger to smaller scale. The dress on the right contrasts shiny with matte surfaces. Both dresses on the left have the long, ribbon-like ties at the neck which can be seen on many 1920’s Butterick patterns — an attempt to introduce a flattering vertical line to balance the horizontal line at the hips. (For more examples, see 1920’s Accessories: What’s Missing?)

This page also showed a classic twenties’ evening dress:

Butterick pattern 6743 is very snug around the hips. Delineator, April 1926, p. 27.

Party dresses were also illustrated on page 29. I think these are for young or small women, judging from the illustration style.

Left, Butterick dress pattern 6716 is embroidered with Butterick transfer pattern 10378. It could be worked in beads or in shiny thread. Right, Butterick 6715.

Instead of a “Spanish” shawl, a painted shawl is shown: This "Aztec" pattern hand painted shawl was made in the Samuel Russel Studio, New York, and illustrated by Katharine Stinger for an Ivory Soap Flakes ad. Delineator, March 1927.This “Aztec” pattern painted shawl was made in the Samuel Russel Studio, New York, and illustrated by Katharine Stinger for an Ivory Soap Flakes ad. Delineator, March 1927.

Another black floral print dress is illustrated on page 29. Notice that these young women or teens are drawn with snub noses.

Butterick pattern 6650, shown in a black print fabric; Butterick cape coat 6769 over dress 6719; and another border print, Butterick 6683. April 1926.

All three of these dresses have long ties at the neckline. Perhaps Butterick didn’t want to suggest that a long necklace was necessary. On the print dress below, which is very snug across the rear, the long tie is on the back of the dress.

Butterick dress patterns [for young women,] April 1926; Delineator page 29. Butterick 6711 and 6728. Notice the bust dart at right.

The dress on the right, No. 6728, has the bib front (based on a man’s shirt) that was very popular in the twenties, and seen again in the 1960’s,  when dropped waists were also briefly in style.

A Vogue pattern circa 1966 with a bib front. Vogue 6988.

This dress pattern from 1965 shows a dropped waist and, like Butterick 6728, a long row of buttons creating a vertical line down the front.

McCall’s 8135 from 1965 has a dropped waist and a long vertical line of buttons.

I don’t think it’s a coincidence that very long necklaces also returned to style in the 1960’s.

6 Comments

Filed under 1920s, Musings, Vintage patterns