Tag Archives: Butterick Fashion News

Spring Prints, 1938

Maybe it was the result of seeing flowers in bloom that made women dress in print fabrics every Spring. In 1938, the flowers on the dresses were often big ones:

Two dresses for May, 1938. Butterick Fashion News flyer. Butterick 7847 and 7839.

Pattern descriptions and back views for Butterick 7847 and 7839, May 1938.

These (mostly floral) print dresses appeared in the Butterick Fashion News flyer in April and May of 1938.

Print dresses for Spring, 1938. Butterick store flyer, April 1938. Butterick 7813, left, and 7801, right.

 

Butterick dress pattern 7809 illustrated in a large-scale print fabric. Butterick store flyer, April 1938. Available up to bust size 44 inches.

Butterick patterns 7786, 7784, 7817, and 7795. Store flyer for April 1938.

Patterns for older and larger women were also illustrated in print fabrics. Butterick patterns 7802, 7799, and 7815; store flyer, April 1938. These were available up to size 50 or size 52.

Smaller and younger women could also find patterns — and print fabrics — to meet their needs.

Butterick 7862 was for women 5′ 4″ and under. Store flyer, May 1938.

7830, 7836, and 7828.

The “jacket frock” in the center is for Junior Miss figures up to bust size 38. Companion-Butterick patterns 7830, 7836, and 7828, from May 1938. The one on the right has print lapels and sash.

The dress on the cover for May 1938 was polka-dotted. Butterick 7857.

Left, a big floral print on Companion-Butterick 7829. Next, No. 7823 has a floral print sash. Its neckline is attributed to Vionnet’s influence. The dress with bows, No. 7827, is shown in a smaller, widely spaced white floral print. Right, No. 7825. All were available in a wide range of sizes, to fit either  young and small women (Sizes 12 to 20) or women up to bust 44″. Butterick store flyer, May 1938.

Bold border print fabrics were suggested for these “Beginners'” sewing patterns.

These patterns for inexperienced dressmakers use 52″ border prints. One has a zipper front, and neither has set-in sleeves. Butterick 7838 and 7864. May 1938.

Print fabrics were also suggested for Spring of 1939 — but there was a more youthful silhouette:

Butterick dresses for Spring, 1939. Patterns 8366, 8387, and 8372. Butterick Fashion News flyer, May 1939.

These sleeves and shoulders resemble those of the previous year, but in 1939, skirts were being worn much shorter — just at the bottom of the kneecap:

Butterick dress patterns from May 1938 (left) and May 1939 (right.) Butterick store flyers.

For May, 1939, a suit jacket and bodice are piped with the same polka-dotted fabric that makes the “pancake” hat, worn very far forward on the head. The hat is Butterick pattern 8359. The suit, with knee length skirt, is Butterick 8351.

 

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Filed under 1930s, 1930s-1940s, Vintage Couture Designs, Vintage patterns, Vintage Styles in Larger Sizes, Zippers

Hemline Interest, 1949 and 1951

The long skirts introduced in 1947 were looking too long by January of 1951. Compare this cranberry red coat dress, from November 1949 . . .

Coat-dress, Butterick pattern 5070, cover of Butterick Fashion News, November 1949.

Coat-dress, Butterick pattern 5070, cover of Butterick Fashion News, November 1949.

. . . with this fitted black coat from December, 1951.

Butterick coat pattern 5906, BFN flyer December, 1951.

Butterick coat pattern 5906, BFN flyer December, 1951.

The “One Yard Skirt,” Butterick 5087 from 1949 (below, left) was on the back cover of the November Butterick Fashion News flyer, and other skirts featured in that issue were as long, or longer.

Skirts from Butterick, November 1949. Left, the One Yard Skirt (5085), with skirt 5084 and suit 5083.

Skirts from Butterick, November 1949. Left, the One Yard Skirt (5085), with skirt 5084 and suit 5083. Notice the man-tailored front fly on No. 5085.

Below mid-calf skirts from Butterick, November 1949. Butterick patterns 4701 (a few months older), 5069, and 5078.

Below mid-calf skirts from Butterick Fashion News, November 1949. Butterick skirt patterns 4701 (first issued several months earlier), 5069, and 5078.

Fourteen months later, Butterick showed these dresses with the title “Hemline Interest.”

Butterick dresses with "hemline interest," page 4, January 1951.

Butterick dresses with “hemline interest,” page 4, January 1951. The hemline has risen.

Dresses with "hemline interest, page 5. BFN Jan. 1951.

More dresses with hemline interest and neckline interest, page 5. BFN Jan. 1951. These dresses were for women, not teens.

There has certainly been a subtle change in proportions.

Dresses from Butterick, January 1951. Patterns 5559 (versions A and C) and 5564.

Dresses from Butterick, January 1951. Patterns 5559 (versions A, in red, and C, in black) and pattern 5564 (in gray). Butterick Fashion News flyer.

Other things that caught my eye are the hip-widening [or waist-narrowing] details on dress 5559 C (the bow) and 5564 (the full gathers below its fitted yoke.)

Suit 5083 has a “lumberjack top;” its waist-length jacket, tight around the waist, was often called an “Eisenhower” jacket in the fifties.

This two-piece outfit from Butterick, No. 5083, has a "lumberjack top." Nov. 1949 flyer.

This two-piece outfit from Butterick, No. 5083, has a “lumberjack top.” Nov. 1949 flyer.

And the black, “bell-skirted” flared coat from December 1951 was designed to fit over very full skirts like these, held out by crinoline petticoats:

"Bell-skirte4d" dresses for the holidays, December 1951. Butterick Fashion News.

“Bell-skirted” dresses for the holidays, December 1951. Butterick Fashion News, page 13. Left, No. 5941; right, two views of Butterick dress and redingote, No. 5942.

Butterick coat pattern 5906, BFN flyer December, 1951.

Butterick coat pattern 5906, for a “bell-skirted, fitted coat… intended for your crinoline-petticoated dresses.” BFN flyer December, 1951.

Often, a nylon crinoline would be built into a store-bought dress. Pattern companies depend on following trends, so shorter skirts must have been “in the air” before December of 1951. What-I-Found posted images from a Simplicity flyer, dated August 1950, here.

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Filed under 1940s-1950s, Vintage patterns

Fashion Illustration and Fashion Reality, 1948

Butterick 4609, evening gownfrom Butterick Fashion News, back cover, August 1948.

Butterick 4609, evening gown from Butterick Fashion News, August 1948.

I’ve been looking at pattern illustrations from 1948, when Dior’s “new look” was getting women into waist-cinching undergarments, full (sometimes padded) hips, and a long, long silhouette.

Butterick 4610, from Butterick Fashion News, Aug. 1948.

Butterick 4610, from Butterick Fashion News, Aug. 1948. The waist is exceptionally narrow compared to the hips.

Simplicity store flyer, patterns from April 1948.

Simplicity store flyer, patterns from April 1948. Note the waist sizes.

Butterick suit pattern 4600 from August 1948, Butterick store flyer.

Butterick suit pattern 4600 from August 1948, Butterick store flyer.

I love to remind people that fashion illustrations shape women’s expectations (and self-critical self image) of what they should look like. This 1948 Butterick suit pattern was sized for women under 5′ 5″ tall:

Butterick suit pattern 4569 was available in a special version for women under 5' 5" tall.

Butterick suit pattern 4569 was available in a special version for women under 5′ 5″ tall. Store flyer, July 1948.

If suit 4569 seems awfully tall and thin for a petite woman —  it is.

Fashion models used to be 5’7 or so; this photo from the back of Butterick Fashion News, February 1948, shows a probably waist-cinched but otherwise real young woman:

Ad for Butterick, back of Butterick Fashion News, July 1948.

Ad for Butterick, back of Butterick Fashion News, July 1948.

It was hard to judge her head size exactly, since she is looking down, but from crown to heel (or front anklebone) she is six and a half heads high. The illustration of suit 4569 is relatively (well over a foot) taller and much thinner:

Photo and fashion illustration from July 1948. Using here head a a a unit of measurement, the real woman is six and a half heads from crown to heel. The illustration is eight heads high.

Photo and fashion illustration from July 1948. Using her head as a unit of measurement, the real woman is six and a half heads from crown to heel. The illustration is eight heads high — a woman stretched by more than a foot. And compare their waists!

Over the decades, we appear to have selectively chosen fashion models to match fashion illustrations, putting very thin,  5′ 11″ tall women into very high heels, to resemble these old drawings of imaginary human beings.

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Filed under 1940s-1950s, Corsets, Musings, Vintage patterns

Schiaparelli Hat Influence

When I woke up one morning this week, I remembered a woman’s voice — kindly, humorous, possibly my Girl Scout Leader —  saying, “Why, bless your pointy little heads!”

Elsa Schiaparelli in one of her hat designs. From the book Shocking, by Dilys Blum.

Elsa Schiaparelli in one of her hat designs. From the book Shocking, by Dilys Blum.

I must have been dreaming about the hat worn by Carole Lombard at the end of the movie Now and Forever (1934), which I had just watched on Turner Classic Movies. It was one of those cone-shaped felt hats that comes to a point on top, like this one:

Story illustration , Woman's Home Companion, May 1937.

Story illustration, Woman’s Home Companion, May 1937.

Pointy hat by Elsa Schiaparelli, 1933-34, photographed by Man Ray. From Shocking, by Dilys Blum.

Pointy hat by Elsa Schiaparelli, 1933-34, photographed by Man Ray. From Shocking, by Dilys Blum.

Elsa Schiaparelli seems to have been the source for many of the silliest hats of the 1930’s and 1940’s; she didn’t necessarily design all of them, but she had a genius for publicity. Dilys Blum’s massive book on Schiaparelli, called Shocking, printed a page of hat sketches from Schiaparelli’s studio notes:

1930's Schiaparelli Hat sketches pictured in Shocking, by Dilys Blum.

1930’s Schiaparelli Hat sketches pictured in Shocking, by Dilys Blum.

I’m amazed by how often very similar designs appear in Butterick publications, Ladies’ Home Journal, and Woman’s Home Companion — and that’s not counting Vogue and other high fashion magazines.

Schiaparelli was close to the Dadaist and  Surrealist art movements; she had Dali design fabrics for her, and she even made a suit like a dresser, with pockets that were actually drawers. Not to mention her “shoe” hat:

Schiaparelli Shoe hat, winter collection 1937-38. Photo courtesy of Metropolitan Museum.

Schiaparelli Shoe hat, winter collection 1937-38. Photo courtesy of Metropolitan Museum.

The notebook sketch for the shoe hat shows it with a bright red sole, anticipating Louboutin by 70 years or so.

There’s a reason her perfume (and her biography) was called “Shocking;” shocking people generated publicity. The magazine Minotaure published a contemporary article written by her friend, Dadaist Tristan Tzara, and illustrated with photos by Man Ray, in which Tzara claimed that Schiaparelli’s 1933-34 hats with holes in the crown, or shaped in a series of oval ridges, represented female genitalia.

Hat from Schiaparelli's winter 1933-34 collection, photographed by Man Ray.

Hat from Schiaparelli’s winter 1933-34 collection, photographed by Man Ray. From Shocking, by Dilys Blum.

Hat with a hole in the crown, photographed by Man Ray, modeled by Elsa Schiaparelli. WInter 1933-34 collection. From Shocking, by Dilys Blum.

Hat with a hole in the crown, photographed by Man Ray, modeled by Elsa Schiaparelli. Winter 1933-34 collection. From Shocking, by Dilys Blum.

That’s the kind of article (however firmly the writer had his tongue in his cheek) that gets your hats talked about. If Tzara was right, then the shocking artworks of Judy Chicago (see The Dinner Party, from 1979) were  . . . old hat!

For that matter, in the nineteen thirties and forties (and fifties) the chairs that lined the counter of a diner always had a clip at the back for holding a man’s hat while he ate. Imagine the shocking display of fedoras at lunchtime!

Pointed hats by Schiaparelli. 1930's. Form Shocking, by D. Blum.

Pointed hats by Schiaparelli. 1930’s. From Shocking, by D. Blum.

The conical, pointed hats had variations in the thirties which allowed them to be folded over at the top, or squared off, or open, or dented in at the top, and there were many versions of the exaggerated — and frequently dented — fedora, like the ones at top in this sketch.

Hats from Schiaparelli sketchbook. From Shocking, by D. Blum.

Hats from Schiaparelli sketchbook. From Shocking, by D. Blum.

Pointed hat, fashion illustration. March 1934.

Pointed hat, magazine pattern illustration. March 1934.

Coonical hat with blunt tip, Jan. 1936.

Conical hat with blunt tip, Jan. 1936.

Woman's Home Companion, coat ad, Nov. 1937.

Woman’s Home Companion, coat ad, Nov. 1937. Conical hat, squashed.

Delineator, Feb. 1935.

Delineator, Feb. 1935. Dented crowns, a la Schiaparelli.

Women in ad for Ponds cold cream, WHC, Oct. 1937.

Women in an ad for Ponds cold cream, WHC, Oct. 1937.

Knit hat by Schiaparelli, 1937. Photo courtesy of Metropolitan Museum.

Knit hat by Schiaparelli, 1937. Photo courtesy of Metropolitan Museum.

Women in an ad for B>F> Goodrich rainboots, WHC, Nov. 1937.

Women in an ad for B.F. Goodrich rainboots, WHC, Nov. 1937.

Hats shown with clothing from Mainbocher, Worth, and Molyneux. Feb. 1936, WHC.

Hats shown with clothing from Mainbocher, Worth, and Molyneux. Feb. 1936, WHC.

Schiaparelli hat sketchbook 1930s. From Shocking, by Dilys Blum.

Schiaparelli hat sketchbook 1930s. From Shocking, by Dilys Blum.

Butterick fashion news, May 1938. These hats could be made from a Butterick pattern.

Butterick fashion news, May 1938. These hats could be made from a Butterick pattern.

Butterick hat pattern No. 7858. May, 1938.

Butterick hat pattern No. 7858. May, 1938.

Butterick Fashion News, March 1938.

Butterick Fashion News, March 1938.

I think the one on the left owes a nod to Schiaparelli:

Schiaparelli's

Schiaparelli’s “double slipper” hat, Spring 1938. Photo courtesy of Metropolitan Museum.

Bless her pointy little head.

Elsa Schiaparelli in one of her hat designs. From the book Shocking, by Dilys Blum.

Elsa Schiaparelli in one of her hat designs. From the book Shocking, by Dilys Blum.

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Filed under 1930s, Accessory Patterns, Hats, Musings, Vintage Accessories, Vintage Couture Designs, vintage photographs

A Swingback Jacket from 1948

I love the back of this jacket.  It appeared on a page of coats in the Butterick Fashion News flyer from March, 1948.

Butterick coat pattern No.  4457, March, 1948.

Butterick coat pattern No. 4457, March, 1948.

Two versions of the swingback coat are flanked by a very Dior-ish New Look long coat, and a dolman-sleeved coat that fits closely at the waist, but has a bloused back above the waist.

"The Versatile Coat Styles:  Fit, Flared, and Bloused." Butterick Fashion News, March 1948.

“The Versatile Coat Styles: Fit, Flared, and Bloused.” Butterick Fashion News, March 1948.

The flared back of this coat, at mid-hip length,  would be worth copying today. Butterick coat pattern No.  4457, March, 1948.

The flared back of this coat, at mid-hip length, would be worth copying today. Butterick coat pattern No. 4457, March, 1948. 

Here’s the front view, shown in a below-hip length:

Butterick coat pattern 4457, BFN flyer, March 1948.

Butterick coat pattern 4457, BFN flyer, March 1948.

Pattern matching on a large-scale stripe like this would require patience — and extra fabric.  Personally, I prefer the solid version in wool or linen. The sleeves are cut in one with the yoke, on the cross grain:

Detail of front yoke and sleeves, Butterick 4457.

Detail of front yoke and sleeves, Butterick 4457.

The shoulder pads are substantial.

bfn mar 1948 coat styles swingback text

Flared Coat for Teens, Butterick 4453, 1948

The flare on this jacket suit, with hood, (Butterick 4453) is not as extreme as Butterick #4457, but it’s charming all the same:

Butterick 4453:  "The hooded suit for the young set, flare-back-jacket atop a whirl skirt. " For ages 10 to 16.

Butterick 4453: “The hooded suit for the young set, flare-back-jacket atop a whirl skirt. ” For ages 10 to 16.

Flared Back Coat for Girls, Butterick 4423, 1948

Butterick pattern No. 4423: (A) Flare-back topper with little girl collar and patch pockets. (B) Short flare-back topper, separate drawstring hood." SIze 4 to 12, 23 [inch chest] to 30.

Butterick pattern No. 4423: (A) Flare-back topper with little girl collar and patch pockets. (B) Short flare-back topper, separate drawstring hood.” SIze 4 to 12, 23 [inch chest] to 30.

Butterick Coat No. 4368 with Dior Influence, 1948

Butterick coat pattern # 4368, Butterick Fashion News flyer for March, 1948.

Butterick coat pattern # 4368, Butterick Fashion News flyer for March, 1948.

bfn mar 1948 coat 4368 text

The star next to the pattern number means that it was available in Butterick’s new Special Patterns for Women under 5′ 5″, as well as Standard length (for women 5’5″ and over.) It’s amazing that, until the 1940s, Butterick patterns were apparently sized for women 5’5″ and over. Small women with a bust over 38 inches were really out of luck, since patterns sized for Misses 15 to 20 “and small women” only ran to bust 37 or 38.

Coat No. 4368 has very wide shoulders, to make the waist look tiny, and enormous pockets, to exaggerate the width of the hips, for the same reason. You can see the pockets in the back view. Couture versions of these nipped-waist styles could include a boned inner structure; nevertheless, this is a coat meant to be worn by a corseted (or waist-cinched) woman. It will never look right over a natural body. (And those widely spaced buttons won’t control the center front midriff without help.)

Butterick Coat 4367

Butterick coat pattern 4367, BFN, March 1948.

Butterick coat pattern 4367, BFN, March 1948.

bfn mar 1948 coat 4367 text

It’s hard to believe that this coat was flattering to very many women; the blouson look was not popular with men, and was famously parodied in an episode of I Love Lucy. (1956.) The blouson was a look that came and went during a period of otherwise very tight dresses.

This coat has the exterior darts that appeared on some clothes in 1936; (click here.) to see more examples.

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Filed under 1940s-1950s, 1950s-1960s, Children's Vintage styles, Vintage patterns

When Pantsuits Were “Slacks Suits:” 1938, 1940, 1948

Play dresses and a pants suit, Butterick Fashion News flyer, March 1938.

Beach wear and a pants suit, Butterick Fashion News flyer, March 1938.

All the “pant suits” for women —  actually trousers with matching jackets (called slacks suits) —  in this post are from Butterick Fashion News flyers, given away for free in pattern stores. Trousers with matching jackets for women are always shown with other resort wear or beach wear, as in the illustration above.

Butterick 7756

Butterick 7736, March 1938.

Butterick 7756, March 1938. Pattern for slacks, jacket and shirt, sizes 12 to 20 and 30 to 40 inches bust.

This trim jacket would also look at home with a skirt; sharkskin fabric was recommended. The cuffed trousers have full, straight legs.

Butterick 7796

Butterick pants suit 8796, February 1940.

Butterick (pantsuit) slacks suit 8796, February 1940.

To be worn “where it’s fair and warmer,” this mannish chalk-striped trouser suit is shown with very broad shoulders and casual sandals — and painted toenails. The evening gown on the right, Butterick 8798, is shown with a snood on the model’s hair — possibly the influence of 1939’s blockbuster movie, Gone with the Wind.

“With the increasing approval given to slacks by fashionable women everywhere, you can wear the pants in the family.  These have a band with suspenders attached (optional) and a fitted, classic tailored jacket. Sizes 12 to 20 and bust 30 to 42 inches.” Flannel (i.e., wool flannel) was the recommended fabric.

Butterick 4458

Butterick slack suit with optional long shorts. March 1948.

Butterick “slacks suit” # 4458 with optional long shorts. March 1948.

The waist is nipped in with eight darts, and the slacks are narrower in this post-war, New Look-era suit. The model on the right has a bicycle, but these are called “long shorts,” not “pedalpushers.”

This ensemble was the centerfold in a two page spread of “sun fashions for resort wear.”

Butterick Fashion Newsflyer, March 1948.

Butterick Fashion News flyer, March 1948.

The “sea sprite” bare-midriff bathing suit (top left) has shorts that draw up on the sides, probably inspired by Claire McCardell’s Pantung Loincloth swimsuit of 1946.

Again, it’s clear that these trouser suits are not to be worn in the city, nor to restaurants except in resorts. (There’s a story that Marlene Dietrich, refused admission to a city restaurant because she was wearing a suit with trousers, simply stepped out of them and was escorted to a table wearing only her jacket. Well, she had famously great legs. . . .)

Butterick 8454 trousers

Butterick trouser pattern , July 1939.

Butterick trouser pattern #8454 , July 1939. The playsuit to the left is a different pattern, #8475, as is dress #8494, on the lower right.

These long, full-legged and high-waisted trousers evoke Katharine Hepburn, and come back into fashion every once in a while. When they do, I always buy a pair!

“The pattern includes long and short-sleeved shirt, and slacks, and a culotte, to scramble as you choose. Junior Miss sizes 12 to 20, 30 to 38.”

Sadly, the culottes are not illustrated.

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Filed under 1930s, 1930s-1940s, 1940s-1950s, Bathing Suits, Shoes, Sportswear, Swimsuits, Vintage patterns, Women in Trousers

One Suit with Many Blouses: March 1936

Companion-Butterick suit pattern No. 6671, March, 1936.

Companion-Butterick suit pattern No. 6671, March, 1936.

This surprisingly modern-looking flared jacket, with a curved hemline, ought to inspire somebody. [You might want to make it a bit shorter, or inches longer, or add a collar, but the asymmetrical closing, curved hem, and raglan sleeves  are all  worth thinking about.] It was featured in The Woman’s Home Companion as the core of a spring wardrobe for 1936 — varied with several blouses made from a “Triad” pattern.

Pages 70 and 71, Woman's Home Companion, March 1936.

Pages 70 and 71, Woman’s Home Companion, March 1936.

A frequent theme in the Great Depression, when people owned fewer clothes than today, was fashion advice on making one basic dress or suit look different by careful planning and accessorizing. (See also One Good Dress in the 1930s.)

“One Suit Can Make a Spring Wardrobe, Given Plenty of Bright Accessories”

WHC 1936 mar p 71 triad blouses 6672 top

The suit, Companion-Butterick pattern No. 6671 was available in sizes “12 to 20, also 30 to 40 bust measures.” [At first, I thought it was a maternity pattern, but it is just “boxy,” worn over a very slim skirt.]

WHC 1936 mar p 70 suit 500 6671

The skirt has a flared godet in front, instead of a kick pleat in back, for walking ease.

WHC 1936 mar p 70 just suit 500 6671

Woman's Home Companion description of current suits from Paris. Mar. 1936.

Woman’s Home Companion description of current suits from Paris, Mar. 1936.

Pattern #6648, which appeared in the same issue, illustrates a similar chamois yellow blouse worn with a black, boxy-jacketed suit, as described above:

Companion-Butterick pattern 6648, March 1936, was for young women sized 12 to 20. Woman's Home Companion.

Companion-Butterick pattern 6648, March 1936, was for young women sized 12 to 20. Woman’s Home Companion.

Companion-Butterick blouse pattern No. 6672 contained several distinctly different blouse styles, “for sports,” “for shopping,” “for parties,” etc.

Companion-Butterick "triad" blouse pattern #6672. March, 1936, WHC.

Companion-Butterick “triad” blouse pattern #6672. March, 1936, WHC.

I confess — I love the version with red top-stitching.

Pattern 6672 in white linen with red stitching and buttons. March, 1936.

Pattern 6672 in white linen with red stitching and buttons. March, 1936.

For sports — a rough white linen shirtwaist trimmed with red stitching and red buttons. Add a bright red hat, the soft fabric kind that sticks on your head and rolls up in your hand.  Find a red bag to match, preferably with a convenient top handle, low heeled black walking shoes, and black or white fabric gloves.”

For parties — a short-sleeved blouse of printed silk in the gayest colors you see. Top it with a huge hat of flattering white straw, your best white suede gloves, black sandals and a large black and white bag. You might try a big chiffon handkerchief in white or a bright color knotted around your throat.”

Two more versions of pattern No. 6672.

Two more versions of pattern No. 6672.

For shopping — a chamois yellow shantung blouse tied high and crisp at the neck. Choose a tailored black straw hat banded in yellow, natural chamois gloves, a neat black seal bag and comfortable black town shoes.”

Bage and gloves, Nar. 1936. WHC, p. 71

Bags and gloves, Mar. 1936. WHC, p. 71

“Just for fun — bright Kelly green in a saucy little hat and a tremendous green alligator bag, green polka-dotted white silk blouse, white gloves and the season’s newest shoes —  square-toed, square heeled, patent leather pumps.”

WHC 1936 mar p 70 suit 500 6671

 

“That is one outline for a colorful wardrobe based on a black suit. You may want to vary it with a scarf to match your favorite bracelet or an entirely different color scheme.  But whatever you do remember the suit is a foundation. The accessories are your color notes to be played as gaily as you please.” — Woman’s Home Companion, March, 1936.

Inside-Out Darts

Another surprising [Post modern? Deconstructed?] detail:

The print blouse …

Print blouse #6672. March 1936.

Print blouse #6672. March 1936.

. . . has neckline darts that put the excess fabric on the outside, as a trim detail, rather than hidden inside.

I’ve seen this on other Butterick patterns; these are all from 1938:

Dress pattern, Butterick Fashion News, March 1938.

Dress pattern, Butterick Fashion News, March 1938.

Butterick Fashion News, March 1938.

Butterick Fashion News, March 1938.

Butterick Fashion News, April 1938.

Butterick Fashion News, April 1938.

 

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Filed under 1930s, bags, Gloves, handbags, Hats, Purses, Shoes, Vintage Accessories, Vintage patterns