Filet Crochet Lace 1917

Filet lace on a camisole, Delineator, April 1917. The same yoke could be used on a nightgown.

A vintage nightgown with a filet lace yoke. Modern blue and red ribbon was inserted, but the original ribbon insertion was probably white or pastel colored. The nightie is white, not pink. (I’m learning to use a new computer….)

There seems to have been a fashion for lingerie trimmed with this crocheted lace during the First World War era.  “Filet lace” is often recognizable by characteristic grid patterns, although quite complex shapes, such as butterflies and flowers, can be created. I know nothing about crochet and very little about lace, but I’ll post these images for those who do have an interest, especially since it may help to date vintage items.

Filet lace crochet. Top, a collar; left, a camisole; and lower right, an underwear bag decorated with swimming ducks. Delineator, June 1917.

A camisole trimmed with a basket of flowers. Filet lace, Delineator, December 1917.

Nightgowns might have a simple crochet lace yoke or a crocheted yoke that includes sleeves. Butterick patterns 8140 and 8552 from Delineator, August 1917.

Below, a different version of Butterick nightgown pattern 8552:

Filet lace trims a nightgown and a combination, Delineator, February 1917.

This vintage nightgown has a simple (see-through) yoke, but the gown is trimmed with patterned crochet lace.

Collars and blouses were also a popular place to display crochet lace:

Lace collars pictured in Delineator, September 1917.

Filet lace collar, Delineator, March 1917. [Note her “Spanish” hair comb.]

This blouse from a Bedell catalog ad has filet pattern lace, including inset medallions: Ladies’ Home Journal, October 1917.

An apron trimmed with filet lace, Ladies’ Home Journal, August 1917. This fancy item was suggested as something that could be sold at a charity bazaar.

“Even the baby wears filet.”

A baby cap in filet crochet from a page of needlework projects. Ads for needlework supplies often ran alongside these articles. Delineator, March 1917.

Lace-trimmed jabots were also popular circa 1917.

A filet-trimmed jabot that could be worn with different outfits may have been popular with women who were not quite used to wearing the new V-neck fashions. Delineator, Sept. 1917

Geometric, grid-based filet lace was not limited to the nineteen-teens; this spectacular display decorates the front and back of a slip that shows 1920’s styling.

This slip, circa 1920-1925, has a large amount of filet lace both front and back. It has 1920’s style hip accents, and its length indicates early twenties. The original silk ribbon inserted in the shoulder straps and top of the yoke has a floral pattern woven into it.

It’s possible that the large piece of lace is machine made, but the straps are crocheted.

Filet lace was often pictured along with other forms of lingerie lace trim.

Lingerie lace featured in Delineator, August 1917. Readers could write for the instructions.

Lingerie and insertion lace featured in Delineator, February 1917.

P.S. Happy holidays to all!

Golf and Corsets, 1917

From an article about corsets, Delineator, Sept. 1917.

After writing about the use of golf to promote everything from laundry soap to deodorant in September of 1924, I went to the library to finish reading the bound Delineators from 1917 and found this image of a lady in her underwear holding a putter. (I may be wrong about the golf club’s name. I’ve only played golf once, over 50 years ago.) If asked to name the least flattering period of women’s clothing, ever, I would say “World War I;”  these corsets, brassieres, and bust-confiners do nothing to dissuade me.

Corsets for Sports, 1917

A corset for sports and dancing, lightly boned and flexible. September, 1917.

It would be fun to make up stories about why this lady is so interested in the golf club that she has just found in her boudoir, but it’s not a clue in a murder mystery; the illustrator probably put it there to indicate that this is a corset for “sports, motoring and dancing, ” “lightly boned and made flexible with rubber gores that give and take.” The corset is shown worn over her bloomers. Judging from the two pairs of straps on her shoulders, she is wearing a corset cover over either a brassiere or a bust-confiner. Her shoes are also interesting; her stockings are held up by her corset, so these straps are not garters, but part of the lady’s boots:

Ladies’ boots with diagonal straps at top. 1917.

This is a lighter sports corset — on a less substantial woman —  from the same article:

“The new sports corset has a very short front bone with buttons above it. The bust is very low.” 1917.

The riding crop on the bench, plus the bowler hat — assuming it belongs to the lady — suggest she is going horseback riding. “The bust is very low” indeed, even though her arms are raised.

Brassieres and Bust-Confiners, 1917

“With a low corset even a slender woman needs a brassiere or a bust-confiner.” This upper garment, with gathers at the side and no boning, is a bust-confiner. Delineator, September 1917, p. 43.

The brassiere of 1917 created a mono-bosom, and contributed to the sagging bustline that was illustrated in fashions for young women as well as for matrons.

Butterick patterns for women, September 1917.

The stout lady in this illustration is wearing a heavy linen brassiere with her front-lacing corset:

A brassiere worn with a front-lacing corset, 1917.

The front-lacing corset was still new. “With the present low bust the corset only takes care of the lower part of the figure. The upper part is no longer corseted by the corset but by a brassiere or bust-confiner. The new brassieres are quite lovely. For stout figures they are made of heavy linen and heavy lace in the filet and Cluny patterns. They come right to the waistline and are boned lightly but firmly. The stout woman has to wear a brassiere. . . . Slender women wear either a brassiere or bust-confiner of silk tricot, crepe de Chine, net or satin ribbon. Under the very thin Georgette crepe blouses and dresses, with only a thin silk shirt and a satin camisole between you and your dress, the bust-confiner is absolutely necessary for even the most slender and undeveloped figures.” A few years later, the brassiere and the bust-confiner had evolved into bust flatteners and bandeaux. Click here for more about early 1920s bandeaux and corsets.

From an article by Eleanor Chalmers, Delineator, Sept. 1917, p. 43.

This article about underwear was titled “First Line of Defense of the Figure.” After the U.S. entered the war in 1917, military terms were constantly used by Delineator editors in fashion coverage, in a way that I find shocking today. Of course, the World War I images of horrific slaughter which we have seen were censored and suppressed at the time, so whimsical references to “manouevres,” “holding the line,” and “going over the top” were perhaps not so tasteless then. Perhaps.