Tag Archives: suntan fashion 1929 1920s twenties

To Tan or Not to Tan 1920s – 1930s

Elizabeth I, the Rainbow Portrait, in Hatfield House; image via wikimedia commons

Elizabeth I, detail of the “Rainbow Portrait” in Hatfield House; image via wikimedia commons

Three centuries after the death of Queen Elizabeth I, American women still believed that beautiful skin should be pale.

Advertisement, 1917.

Advertisement, 1917. “So tanned, so colorless …. However unattractive exposure to the summer sun may have made” your face….

“Fair and tender ladies” with “peaches and cream” complexions — that was the fashion ideal promulgated for thousands of years, and not just in Europe. (Click here for the disturbing “White Skin: A Chinese Obsession.

"So tanned, so colorless -- What shall she do?" Ad from Ladies' Home Journal, 1917. Advertisement for Woodbury soap.

“So tanned, so colorless — What shall she do?” Ad from Ladies’ Home Journal, 1917. Advertisement for Woodbury soap.

Then came the nineteen twenties…. When chic American and European women wanted to be sun-tanned.

"Sun-tan makes Maybelline more necessary than ever!" Ad for eye makeup, Delineator, July 1929, p. 81.

“Sun-tan makes Maybelline more necessary than ever!” Ad for eye makeup, Delineator, July 1929, p. 81.

One of the many bizarre ideals of beauty — one that has given pain to as many women as the fashions for impossibly thin bodies or bound feet — is the crazy idea that beauty requires a light or pale skin tone. The Ancient Egyptians and Etruscans often portrayed women in a lighter shade of paint than men. “The feminine ideal during the Han period (2000 years ago) for women of the court was almost unearthly white, white skin. Moon-like roundish faces, long black hair,” writes Ann Rose Kitagawa.  Cosmetics that were supposed to lighten your skin have been around for thousands of years. For women of color, there are plenty of depressing  vintage ads for preparations that are supposed to lighten or bleach your skin. (And plenty of modern ones, too….)

“The Greeks favored light complexions, which they maintained using white lead. This was later replaced by chalk powder (around 1000 BCE) due to the many deaths caused by slow lead poisoning.” [White lead, which was also used in cosmetics by the Elizabethans, is a form of arsenic.]— read more at annmariegianni.com.

At a time when almost all people worked out of doors (that is, for most of human history,) tanned skin was the mark of a peasant, and lighter skin the mark of higher social status: the educated, the administrators, and the aristocrats. This idea was turned upside down between the 1920’s and the 1930’s, when more people worked indoors, and only wealthy people could afford to vacation at beach resorts during the winter months. Suddenly, a winter tan became a status symbol for Americans and Europeans, influencing dress, as explained in this 1929 magazine article:

"Tan Takes its Turn as a Maker of Fashion." Article in Delineator Magazine, February, 1929, p. 25.

“Tan Takes its Turn as a Maker of Fashion.” Article in Delineator magazine, February, 1929, p. 25.

This article even mentions artificial tanning: “Last summer’s tan, acquired on the Lido or American Beaches, conserved during the winter months with a sun machine and ready to deepen now at Palm Beach or Bermuda…,” could be maintained with a tanning lamp like this one.

"Now you can afford Ultra-Violet sunshine;" ad for a Health Developer Tanning Lamp, 1929.

“Now you can afford Ultra-Violet sunshine;” ad for a Health Developer Twin-Arc Tanning Lamp, 1929.

Ad for National Health Applliance Corp. tanning lamp, 1929.

Ad for National Health Appliance Corp. tanning lamp, 1929.

To be fair, the “health” claims were related to the relatively recent discovery of Vitamin D, its part in calcium absorption, and the need for sunshine to prevent the bone-deforming disease, rickets, in children. But the sunlamp was undoubtedly as much a fashion item as a health item in 1929.

It’s not surprising that women were confused in the late twenties and early thirties — To tan, or not to tan? [Personal note:  I am very pale, as California girls go, but my mother, who prized her extremely white skin, was terribly disappointed that her little girl was not as fair-skinned as she was. Apparently, some women who lived through this “tan/not tan” era were never enthusiastic about the new fashion.]

Even in the thirties, not every woman chose to get a tan. Story illustration from Woman's Home Companion, Jan. 1936.

Even in the thirties, not every fair-skinned woman chose to get a tan. Two blondes in a story illustration from Woman’s Home Companion, Jan. 1936.

I was amused to find these two ads facing each other in the pages of Delineator in 1924, before tanning became chic.

Left, an ad advising a remedy for sunburn; right, an ad for a bleaching cream. Delineator, Aug. 1924.

Left, an ad suggesting a remedy for sunburn; right, an ad for a skin bleaching cream.   Delineator, Aug. 1924.

Nadinola “whitens the skin to milky purity. It bleaches freckles, sun-tan and wind-tan.”

Absorbine, Jr. promised that “the next day,” users would have “only a slightly deeper coat of tan as a reminder of the day’s sport.”  In 1924, getting a tan was an accident that called for a remedy like Nadinola Bleaching Cream, which promised “The Lure of Southern Loveliness.” [Hmmmm.]

In 1928, the unlucky girl who accidentally got a tan could buy Gouraud’s Oriental Cream to cover it up:

"A Sunproof Complexion" -- or the illusion of one -- could be applied with a bottle of Oriental Cream. Ad, July 1928.

“A Sunproof Complexion” — or the illusion of one — could be applied with a bottle of Oriental Cream, which “renders an entrancing film of pearly beauty….”  Ad, July 1928.

Text of ad for Gouraud's Oriental Cream, a makeup which covered up a tan. Delineator, July 1928.

Text of ad for Gouraud’s Oriental Cream, a face and body makeup which covered up a tan, and theoretically prevented one. “You appearance will not be blemished by the sun or wind.” Delineator, July 1928.

Bottom of ad for Gouraud's Oriental Cream, apparently a liquid body makeup. July 1928

Bottom of ad for Gouraud’s Oriental Cream, which seems to be a liquid body makeup. July 1928. Delineator.

Apparently a liquid body makeup, Oriental Cream was available in “White, Flesh and Rachel.” “Rachel” was a dark-ish makeup color for olive or tanned complexions. Here is a “don’t fear the beach, use Apex Bleach” ad aimed at women of color in the 1920’s.

[I can’t read “Flesh” color without thinking about comedian and civil rights leader Dick Gregory‘s sixties’ joke (I’m paraphrasing from memory) that he really thought we were making progress towards racial equality — until he “tried to buy a flesh colored bandaid.” Dick Gregory opened some windows in my little, white world. And guess what? — that joke is still valid.]

However, by 1929 suntanned faces and bodies were in style, according to fashion magazines:

500 title 1929 feb tan article p 25

Beginning of text of suntans and fashions article in Delineator, February, 1929.

Beginning of article about fashions and colors to flatter a suntan in Delineator, February, 1929.

Notice the references to American and European resorts: Palm Beach, Antibes, the Lido (Venice), Bermuda…. French resorts like Deauville and Biarritz– where Chanel started her rise to eminence — were part of the phenomenon. “It has become smart to look healthy, smart to go in for tan, and smart to dress expressly for it.”

A sports suit with "sunburn back" used white with vivid colors to compliment the tan. Delineator, Feb. 1929.

A sports suit with “sunburn back” used white with vivid colors to compliment the tan. Delineator, Feb. 1929. Her back is bare, but wrinkled by the model’s pose.

425 1929 feb tan article p 25 top lower

425 1929 feb tan article p 25 lower rt end

“Even the southern evening frock is deliberately more decollete than ever so as to reveal the extent of the day’s tan.”

“The necessity of being true to your tan and its outline,” e.g., U shaped, V shaped  or square-shaped, is important, since your bathing suit line would dictate the other clothes you could wear to show off your tan. “Tan is truly the maker of fashion.”

A deep U shape in front. Feb, 1929 Delineator.

A deep neckline in front and intense flower prints to go with a tan. Feb, 1929, Delineator.

Low-cut evening gowns also exposed your tan, front and back.

Evening gown in blue chiffon, Delineator Fe. 1929.

Evening gown in blue chiffon, Delineator, Feb. 1929. It “Follows the design of the sports suit” with the very deep “sunburn” back.

That’s not to say that women were not conflicted by contradictory advertising.

Top image from an ad for Golden Peacock Bleach cream. July 1931.

Top image from an ad for Golden Peacock Bleach cream. July 1931.

Ad for Golden Peacock skin bleaching cream, July 1931.

Ad for Golden Peacock skin bleaching cream, July 1931. “Ten nights — and you’ll be a ravishing, fair skinned beauty!”

Note that these skin bleach ads from Delineator magazine were primarily aimed at women with Caucasian/European ancestry. Many other products that claimed to bleach or lighten skin were advertised to women with naturally dark complexions.

B. Vikki Vintage has written a well-illustrated review of  Style & Status: Selling Beauty to African-American Women, 1920-1975 by Susannah Walker. Visit her blog here.

1929 ad for Hinds Honey Almond Cream. That is a low cut bathing suit!

1929 ad for Hinds Honey Almond Cream.  This extremely low-cut bathing suit matches some equally low cut evening dresses of the 1930’s. Click here.

"Sunshine weathers the skin unmercifully. Does more than anything else to age it."

“Sunshine in moderation is good. Severe sunburn, however, weathers the skin unmercifully. Does more than anything else to age it.” Ad for Hinds Cream.

“To prevent that fiery sunscorch in the first place, — before going on the beach, smooth on Hinds Cream, and powder over it.”

“Powder over it?” In 1931, Dorothy Gray offered a product that claimed to prevent sunburn by “absorbing ultra-violet rays.” (It probably did work better than powder over moisturizer):

Ad for Dorothy Gray sunscreen. July 1931. Note the peculiar suntan lines that will be caused by this swimsuit.

Ad for Dorothy Gray sunscreen. July 1931. Note the peculiar suntan lines that will be caused by this swimsuit, which the model has obviously not worn before. Judging by her legs and midriff, she tanned her arms and upper back while wearing a dress.

Text of Dorothy Gray ad, July 1931.

Text of Dorothy Gray Sunburn Cream ad, July 1931. $2.00 was not an insignificant amount of money. In 1924 and in 1936, a working woman paid about $20 per month for a rented room.

The fashion for tanning was not necessarily long, or universal, and like all fads … It faded.

Illustration from "Keeping Up and Making Up," Delineator, June 1934. "When Skins Change Their Color, It's News."

Illustration from “Keeping Up and Making Up,” Delineator, June 1934. Dark tan in 1932, lighter tan in 1933, and a big beach hat and cover-up in 1934.”When Skins Change Their Color, It’s News.”

“News” seems to suggest that very deep tans were losing their cachet by 1934. But this cartoon from 1936 contradicts it — at least for an English humorist:

"Don't worry, darling. You'll look quite respectable in a day or two." Punch magazine cartoon from 1936, in The Way to Wear'em, by Christina Walkley.

“Don’t worry, darling. You’ll look quite respectable in a day or two.” Punch magazine cartoon from 1936, in The Way to Wear’em, by Christina Walkley.

I’m afraid, from the dismay on the dark-suited girl’s face, that the cartoonist did not agree that a dark tan was “respectable.” The old “peasants versus aristocrats” stereotype had not died.

Sadly, millions of women in third-world countries are still using skin bleach products that contain mercury and other toxic ingredients in the quest for lighter skin. Click here to read The Global Phenomenon of Skin Bleaching: A Crisis in Public Health.

 

 

 

 

 

 

 

 

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Filed under 1900s to 1920s, 1920s, 1920s-1930s, A Costumers' Bookshelf, Bathing Suits, Cosmetics, Beauty Products, Costumes for the 17th Century, Musings, Old Advertisements & Popular Culture, Sportswear, Swimsuits

Tennis Dress, Part 2: Tennis Patterns from 1929

Tennis and spectator sports outfits, Delineator, June 1929.

Tennis and spectator sports outfits, Delineator, June 1929.

As I mentioned in Part 1, when the casual, sportswear look became chic in the nineteen twenties, clothes for actively playing tennis and for watching tennis and other sports began to be illustrated together.  A two-page layout in the May, 1929 issue of Butterick’s Delineator magazine contains a few surprises when you read the pattern descriptions.

On page 32, the caption is “Delineator Backs the Tennis Frock against all sports styles,” but not every pattern illustrated in the article is for actively playing tennis.

Tennis frocks, Delineator, June 1929, page 32 (Detail, bottom of page.)

Tennis frocks, Delineator, May 1929. (Detail, bottom of page 32.)

On the opposite page, the caption is “Necklines Have Style News for all on the sidelines,” i.e., for spectators.

Delineator, May 1933, page 33 (Detail, bottom of page.)

Delineator, May 1929. (Detail, bottom of page 33.)

Also illustrated on the same two pages  — at the tops — were these outfits:

Butterick patterns 2626, 2603, 2555, 1929. From "Delineator Backs the Tennis Frock." May, 1929.

Butterick patterns 2626, 2603, 2555.  From “Delineator Backs the Tennis Frock.” Top of page 32, May, 1929.

Delineator, May 1929, page 33. Detail from top of page.

Delineator, May 1929. Detail from top of page 33. “Necklines Have Style News for all on the sidelines.”

It’s pretty clear that those two dresses, Butterick patterns 2605 and 2589, are a bit fussy for active sports, in spite of their pleated skirts; but what are we to make of the woman in a columnar, sleeveless, wrap dress, holding a tennis racket and wearing tennis shoes and socks?

Butterick patterns 2626, 2603, 2555, 1929. From "Delineator Backs the Tennis Frock." May, 1929.

Butterick patterns 2626, 2603, 2555, May 1929. Which of these is really a tennis dress?

Is pattern 2555 really a tennis dress? I can see that bottom button popping right off if she lunges for a low ball.

It’s interesting to look at the alternate views of these dresses, too. The style details from the front don’t necessarily carry to the back. It’s obvious that — as with this 1971 pattern — the pattern company is trying to multi-purpose the designs:  with sleeves, or sleeveless; for playing or watching; in plaids or solid colors, etc.

Simplicity No. 9417, dated 1971. Tennis dress and shorts, or tunic and long trousers.

Simplicity No. 9417, dated 1971. Tennis dress and shorts, or tunic and long trousers. Click to enlarge

The Article, Pattern by Pattern, page 32. Delineator, May 1929.

Butterick 2555: Double Breasted Wrap Dress

Butterick pattern 2555, May 1929.

Butterick pattern 2555, May 1929.

Butterick 2603:  Tennis Dress with Polka Dot Trim

Butterick pattern 2603, May 1929.

Butterick pattern 2603, May 1929. This is a tennis dress. “An amusing version of the sleeveless white tennis frock has a polka dot collar and a knot of polka dots on the pocket.” All the pleats are in the front of the skirt, a common practice in the 1920’s.

Butterick 2616: Demure in front, low in back

Butterick pattern 2616, for jacket and dress. May 1929.

Butterick pattern 2616, for jacket and dress. May 1929. The back view is a surprise — except that tennis dresses were often low backed. The deep V-neck in back “may be of different lengths.” The skirt has pleats in front and back. Available in sizes up to 44 inch bust.

More “Sunburn Fashions”

This chiffon resort dress is from Hattie Carnegie; although definitely a spectator dress (with matching jacket and scarf) it has a back like the tennis fashions that follow.

Sunback dress from Hattie Carnegie, 1929.

Sun-back dress from Hattie Carnegie, 1929. “The intense flower tints which look so well against a bronzed complexion appear in this Hattie Carnegie chiffon afternoon resort frock with an unconventional neckline and three-color jabot.”

 

Butterick patterns 2551, 2531, 2365; May 1929.

Butterick patterns 2551, 2531, 2365; May 1929.

Butterick 2551:  The Evening Back

Butterick 2551, May 1929.

Butterick 2551, May 1929. “This frock, a sunburn fashion, is cut with a sun back — the strap across the shoulders holding it in place.” That would allow you to play tennis in it; the skirt is pleated in front. It looks very different in two colors.

Butterick 2531: The Sun Frock

Butterick 2531, May 1929.

Butterick 2531, May 1929. “The woman of fashion exposes arms, legs and back to the healthful rays of the sun.” Pleated skirt, front and back.

The front and back of this dress echo each other, but I don’t think I would have guessed at the low back from an illustration of the front!

Butterick 2635:  Sleeveless Tennis Frock

Butterick 2635, May 1929.

Butterick 2635, May 1929. “A sleeveless tennis frock that may be cut with a sun-back.” The pointed trim line in the front is not echoed in back.

In the back view, she is wearing tennis shoes and socks, but will the high front neckline keep the dress on when she bends over to pick up a ball?

Pattern by Pattern, Delineator, page 33

Buttrick 2625, 2633, 2367, from May 1929,

Butterick 2625, 2633, 2367, from May 1929.

Butterick 2625: White with an accent of color, polka dots

Butterick 2625, May 1929.

Butterick 2625, May 1929. “White with an accent of color is very smart.” A spectator dress, more elaborate than the polka-dot trimmed tennis dress pictured earlier (No. 2603.)

Butterick 2633: Checked fabric, kimono sleeves, lingerie collar

Butterick 2633, May 1929.

Butterick 2633, May 1929. “The checked frock is one of the first sport fashions.” The same page featured other dresses with “lingerie collars.”

Butterick 2637:  Tucked waistline, pleats at the sides

Butterick 2637, May 1929.

Butterick 2637, May 1929. A spectator sport dress, apparently with two different back views.

Butterick 2621:  Kimono sleeves and a monogram

Butterick 2621, May 1929.

Butterick 2621, May 1929. A Patou-like monogram, but not a word about playing tennis, in spite of her practical shoes.

On the same page….

Delineator, May 1929, page 33. Detail from top of page.

Delineator, May 1929, page 33. Detail from top of page.

Butterick 2605: Color contrast in a 4-H dress

Butterick 2605, May 1929.

Butterick 2605, May 1929. “Contrast in color is the season’s most predominant note. . . . This two-piece frock can be used for a 4 H club uniform. Designed for . . . 15 to 20 years.”

Those 4-H club girls must have been fairly accomplished dressmakers. As illustrated, the soft fabric looks like silk, but the 4-H girls would probably have used cotton.

Butterick 2589:  Lingerie touches

Butterick 2589, May 1929.

Butterick 2589, May 1929.  The “lingerie touches” (delicate fabric ruffles) are attributed to Patou and to London Trades (a 1920’s designer name.) Available in bust sizes 32″ to 44″

Finally, also from 1929, the tennis dress I showed at the very top of this post, Butterick 2549 :

Butterick 2545, June, 1929.

Butterick 2549, June, 1929. “An evening-back tennis frock with a detachable panel that may be buttoned up to cover the low decolletage if you do not want to tan.”

1929 june p 33 tennis 2549 etc dress skirt text btm

The same criss-cross back straps are a detail in these dresses for younger girls:

Butterick 2684, for little girls, and 2686, for older girls. June 1929.

Butterick 2684, for little girls, and 2686, for older girls. Delineator, June 1929.

2684 2686

Butterick No. 3544, from 1965, left.

Butterick No. 3544, from 1965, left. Can we call it a classic?

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Filed under 1920s, 1920s-1930s, 1960s-1970s, Children's Vintage styles, Shoes, Sportswear, Vintage patterns, Women in Trousers