Tag Archives: twenties dress

A Subtle Change in Fashion, 1920s to 1930s

Short sleeves on a very dressy dress; Delineator, February 1930. Butterick pattern 3032, for [Misses age] 14 to 20.

I’m not claiming that short sleeves were never seen in 1920’s clothing, but the short set-in sleeve — mid-bicep length — was usually associated with house dresses and work uniforms in the Twenties.

A short sleeved-house dress worn while washing dishes in February 1930. Super Suds soap advertisement.

The woman on the left in this picture wears a work uniform with short, set-in sleeves.

Left. a servant or waitress uniform, June 1929. Ad from Delineator.

The short-sleeved work dress below probably has kimono sleeves — cut in one with the top of the dress and finished with bias tape, like the neckline. This was a fast, cheap way to make a dress by eliminating facings and separate sleeves.

Woman ironing with a mangle while wearing a short-sleeved house dress. Ad, June 1929. Delineator.

Short kimono sleeves — that is, sleeeves not cut separately from the dress bodice — were very common, and contributed to the ease of making the typical twenties’ dress.

Two casual dresses from April, 1929. Butterick 2573, left, and 2541, right.

The alternate views are interesting: even in its long-sleeved version, 2573 has kimono sleeves at the shoulder. 2541, on the other hand, has short, set-in sleeves.

Alternate views of 2573 and 2541. April 1929. Waists are still low, and lengths are still short.

Full length views of Butterick 2573 and 2541. Delineator, April 1929.

2573 is for wear in the “country,” for sports like tennis [!], or “at home in the morning.” [The phrase “porch dress” was sometimes used instead of “house dress.” Either way, the dress stayed at home.]

Perhaps 2541 has set-in sleeves because it was available in very large sizes — up to 52 inch bust.

However, older and larger women were also offered these kimono sleeved dresses in early 1930:

Both Butterick 3028 and 3067 from February 1930 have kimono sleeves, but they reflect the rising waistlines of 1929-1930. 32″ to 44″ bust was the normal Butterick size range, but these models are not youthful.

[Period detail: Both of those dresses have bias tape bindings or accents. The scallop button closing was very popular.]

These dresses from June 1929, illustrated side by side, show a long (or short) close-fitting sleeve (left, No. 2648) or a kimono sleeve (right, No.  2668. )

Two typical dresses from the first half of 1929. Butterick 2648 (in sizes up to 48) has set-in sleeves. 2668 has kimono sleeves “for sun-browned arms”. Delineator, June 1929. These short dresses with low waistlines were on the verge of extinction in summer, 1929.

Close-fitting wrist-length sleeves, cut and sewn separately from the bodice, were usual for street clothes in the Twenties.
But I notice that the short sleeve, as we know it, was increasingly used on “dressy” dresses in 1929 and 1930.

The caption for this page was “Mature Grace.” The sheer dress on the left  (Butterick 3168) has the new, short sleeves — and it is suggested for older women in the normal size range. April, 1930. The name “one-quarter sleeve” is useful.

Two Butterick dresses from February 1930. I showed a detail of the one on the left at the top of this post — but I think it deserves a full-length view, too. [The Twenties are over.]

Many of the new, shorter sleeves were decorated with a non-functional tie or bow.

Butterick 3058 from February 1930 has short sleeves trimmed with decorative bows.

Right, another bow-trimmed short sleeve, from March 1930. This is definitely not a house dress. Butterick patterns from Delineator.

Left, a dress from Saks; right, Butterick blouse pattern 3282. Delineator, June 1930. Notice how long the dress is; both dress and blouse have natural waistlines. Bows on short sleeves were not just a Butterick pattern idea.

However, not all short sleeves from 1930 are set-in; the easier-to-sew kimono sleeve sometimes got longer:

All four of these dresses from June 1930 have the new short sleeve look, but, incredibly, they all have kimono sleeves — described as the key to an “easy to make” dress.

(Sewing tip: In my experience, a close-fitting, longish kimono sleeve is very likely to tear under the arm unless you add a gusset; if you don’t, it’s a good idea to use a stretchable stitch — like a narrow zig-zag — on the curved part of the underarm seam. Fabric cut in a curve will stretch — but only if the seam can stretch, too. An oval gusset is safer.)

All these 1930 dresses have set-in sleeves:

Dresses with short, set-in sleeves. Butterick patterns in Delineator, July 1930.

Bows on the sleeves were not obligatory.

Butterick patterns for young women, July 1930. Delineator.

But they are very “summer of 1930”!

A princess line dress with short sleeves trimmed with decorative bows. Butterick 3349 from August 1930.

All Butterick patterns pictured are from Delineator magazines.

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Filed under 1920s, 1920s-1930s, 1930s, Old Advertisements & Popular Culture, Tricks of the Costumer's Trade, Uniforms and Work Clothes, Vintage Styles in Larger Sizes

Evening Gowns, October 1930

Delineator cover illustration by Helen Dryden, January 1930.

I’m back! Although my “vacation” at the library was interrupted by some family illness, I did manage to photograph the 18 months of Delineator magazines from July 1929 through December of 1930 — and that was a time of sudden and drastic fashion change. I learned a lot — and will be sharing….

Paris fashions illustrated in August 1929 are recognizably from the Twenties.  Top left, coat by Lanvin; top right, dress by Chanel; bottom left, coat by Lelong; bottom right, autumn frock by Vionnet. Waists are low; hems barely cover the knee.

Three months later a new style was introduced:

Paris fashions illustrated in November 1929. Patou, second from left, took credit for the new silhouette, with longer skirts and belts at the natural waist. The designers are: 10) Molyneux, 11) Patou; 12) Cheruit; and 13) Mary Nowitsky. Delineator, November 1929. Nowitsky also shows a natural waist and a knee-covering hem, but Patou’s is noticeably longer.

Patou’s new silhouette was influencing patterns within a few months:

Two Butterick patterns from April 1930 show the new silhouette: dresses with a natural waist and much longer skirts than in the late 1920s.

Sadly, Butterick’s Delineator magazine was affected by the October 1929 economic crisis, with a decrease of advertisers and the near elimination of color fashion illustrations. However, these 1930 evening gowns were given the full treatment: ours to enjoy.

Evening patterns from Butterick: Left, 2978 has a deep back opening; Center, 2972 has diagonal flounces,; and right, 2976 uses several layers of net, growing gradually more transparent toward the hem. Delineator, January 1930, page 24. All are belted near the natural waist.

Butterick 2978 is a “princess” frock — i.e., it has no waist seam. January 1930. Dresses with these very narrow straps were said to have “camisole” necklines.

Butterick 2972, with a cape over one shoulder, also has a “princess corsage.” January 1930.

Butterick 2976, shown in pastel net instead of black. In this front view of the “princess body,” you can see that there is no waist seam. There are three layers of net, with an opaque layer closest to the body.

The top of the net dress has a very modern “deconstructed” look, as though the net covering the upper chest had been cut from top to bottom and is left hanging free, front and back.

A closer look at the tops of dresses 2978, 2972, and 2976 (black net), which is asymmetrical. (So is the blue one.)

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Filed under 1920s, 1920s-1930s, 1930s, evening and afternoon clothes, Vintage Couture Designs

A Look Back at Stockings, Mostly 1920’s

[While I’m on vacation, I’m running a series of images with links to many old witness2fashion posts. Here’s a selection of articles sharing what I learned about stockings.]

Colored and textured tights were popular in the 1960’s, but brightly colored stockings and textured stockings were also worn in the 1920’s. [For further readings about stockings, rolled stockings, etc., links to earlier posts are provided throughout this one.]

Orange silk stockings match the orange skirt in this ad for Holeproof Hosiery. Delineator, October 1925.

Textured stockings were also worn  with Twenties’ sportswear:

https://witness2fashion.files.wordpress.com/2015/06/textured-hose-from-an-article-about-rainwear-delineator-april-1929.jpg?w=502&h=473

Textured hose from an article about rainwear; Delineator, April, 1929.

For a longer post showing 1920’s textured stockings from Sears, colored stockings, and other stocking fashions like the ones below, click here.

https://witness2fashion.files.wordpress.com/2015/06/1928-nov-p-3-stockings-gordons-ad-heels.jpg?w=500&h=362

Gordon’s stockings ad, 1928.

Many manufacturers offered styles intended to make ankles look slim, or just to attract attention to the leg.

A chartreuse dress gets stockings to match in this ad for Arch Preserver Shoes. Delineator, June 1929.

Artist McClelland Barclay did a series of color illustrations for Holeproof Hosiery. Delineator; May, 1925.  Notice how opaque these silk stockings for daytime are.

In the 1920’s, highly colored stockings could be almost opaque, as in these ads, but eventually sheer stockings became preferred for evening:

Models wear a range of sheer stocking shades in this 1929 ad for Realsilk Hosiery. Delineator, October 1929.

“They’re newer than sunburn. They’re newer than skin-tints. Yet they borrow from both. Overtones — the new hosiery shades — are a subtle blend of skin and costume colors…. Twenty-two of the most flattering hosiery colors ever launched.” — text of Realsilk ad, Oct. 1929.

Of course, the more sheer the stockings were, the less likely they were to survive several wearings, making them a luxury item.

A run in a sheer stocking ruins it; Lux soap ad, WHC, Feb. 1936. (Lux claimed to prevent stocking runs.)

For a much more complete  article about women’s stockings in the 1920’s, click here.

By 1929, suntanned skin was coming into fashion, along with the sheer look.

From an ad for Realsilk Hosiery, April 1929. Delineator.

These shades are not very different from the stocking hues illustrated in 1936, when stockings could coordinate with either the costume or the shoe:

From a fashion advice article in Ladies’ Home Journal, October 1936. [Click here for more….]

These heavy duty silk stockings were to be worn while gardening. Ad for McCallum “service hose.” Delineator, April 1927. [For more about “Hosiery Ads with a Bit of Wit,” by the same artist, click here.]

In the early Twenties, stockings were also worn while swimming:

“Mid-way of a dive . . two flawless legs, one flawless pair of hose are all that’s left to see….” From an 1927 ad for McCullum Hosiery. Delineator, August 1927.

(Swimming champion Annette Kellerman was arrested for swimming without covering her legs in 1907.)

Stockings were worn with bathing suits in the Nineteen-teens, but women started to bare their legs — or part of their legs — in the Twenties. Often, with bathing suits, they wore their stockings rolled:

https://witness2fashion.files.wordpress.com/2014/03/1925-july-5204-swim-july-1925.jpg?w=151&h=500

Bathing suit, July 1925. Delineator magazine.

To read “Garters, Flappers, Rolled Stockings and Other Stocking Stories,” click here.

Lavender stockings match the lavender underwear in this 1927 ad for Ivory Flakes laundry soap. Delineator, May 1927.

Stockings in the 1920’s could also be embroidered, or otherwise decorated:

https://witness2fashion.files.wordpress.com/2015/06/brinkey-500-prudence-prim-emb-stockings-dec-6-1925.jpg?w=441&h=500

“A rose upon her shoulder, and a corresponding rose / Embroidered on the — well, the shin — of both her silken hose!” Nell Brinkley and Carolyn Wells. Dec. 1925.

To see more illustrations by Nell Brinkley, a woman cartoonist of the ‘Teens and Twenties, click here.

Young woman showing her undies and rolled stockings; photo dated 1918.

https://witness2fashion.files.wordpress.com/2014/03/rolled-sox-cropped-500-1921-rio-vista.jpg?w=500&h=308

Four young women showing their bare knees and rolled stockings. That’s my mother wearing dark stockings with a light garter on the far right. Photo dated 1921.

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Filed under 1900s to 1920s, 1920s, 1920s-1930s, Combinations step-ins chemises teddies, Hosiery, Hosiery, Hosiery & Stockings, Old Advertisements & Popular Culture, Panties knickers bloomers drawers step-ins, Shoes, Underthings, Hosiery, Corsets, etc

Postcard #2 from My Vacation at the Library

Three fashions for daytime, Delineator magazine, March 1929, page 29. They have characteristic dropped waists, a horizontal line across the hip, and hems that barely cover the knee.

Less than a year later:

Fashions for daytime, Delineator magazine, January 1930. Butterick 3007 and 2984, on sale in January 1930, demonstrate the transition from 1920s to 1930s.

It’s obvious that by January 1930, the change from the low-waisted, short-skirted 1920’s silhouette was already well under way.
At a first glance, these suits do have a 1920’s look, but the return to the natural waistline and the move toward longer hems which they demonstrate is also illustrated on this catalog cover.

Ad for Butterick Quarterly from Delineator, January 1930, p 76.

It’s remarkable, when you consider the lead time for creating sewing patterns and for magazine publication: The design has to be approved, made into a prototype (muslin) and patterned,  made up in fabric, modeled for the illustrators, “graded” up and down to a full range of sizes, and set into mass production before being issued and publicized in magazines, etc. This suit was not designed in January 1930, but several months earlier.

Butterick 2984 took months to develop and have ready for sale in January of 1930.

It looks very much like the popular cardigan-jacketed suit of the Twenties, complete with a long neck tie, but the skirt has a natural waist and a seam line at the familiar 1920’s hipline. The jacket is long, falling well past that old hip-level design line, and the skirt falls three or four inches below the knee.

Butterick Quarterly cover, January 1930. Suit 2984 is on the right, and is shown in a different illustration below..

Butterick 3007 (L) and 2984 (R) from January 1930. No. 3007 has a low hip seam and unstructured bodice that allows the wearer to put the belt where she likes.

Two other observations: The three-quarter length coat was a popular 1930 option, and in 1930, a “sleeveless” dress really was sleeveless.

I’ve been curious about the transition from 1920s to 1930s; apparently it happened very fast!

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Underneath Those Twenties’ Fashions

Fashions for May, 1924. Undergarments flattened the bust and hips and eliminated the waist. Delineator, May 1924, p. 27.

[This is another post in a series offering links to posts some followers may have missed, while I take time to visit the library and collect more photos.]

Some of the most exciting discoveries I made when I started reading old magazines from the 1920’s had to do with underwear. In addition to fashion advice about what to wear to achieve that “boyish” figure, I found dozens of advertisements — a veritable window into the past. In one article I read,

“To be smart this season one must be more than slim. The figure must defy nature and be as flat as the proverbial flounder, as straight as a lead pencil, and boneless and spineless as a string-bean. One must be straight like a boy and narrow like a lady in a Japanese print.” – Delineator magazine, February 1924.

I happened to read a 1925 article by Evelyn Dodge about the new, boneless corselets: “Not all women need corsets. Women with young, slender figures find that the corselet, which is a combination brassière and hip-confiner, is sufficient. It is unboned and is therefore as soft and flexible as the natural figure.”  I was delighted to find this one illustrated in an ad:

https://witness2fashion.files.wordpress.com/2014/07/1925-may-treo-corset-corselet-p-82-ad-girdle.jpg?w=367&h=500

Treo “Brassiere Girdle — a combination garment” ad from Delineator, May 1925. The Treo brand was sold through Sears catalogs, as well as in stores.

You can read more about it in “Underpinning the Twenties: Corsets and Corselets.”  Click here.

These corselets reshape a woman to look like a tube (or maybe a sausage?) https://witness2fashion.files.wordpress.com/2014/07/1925-corselette-pattern-1925-bien-jolie-corsette.jpg?w=500

Another thing that struck me while reading so many 1920’s ads was that the boyish silhouette meant that women aspired to be flat in back and flat in front. This was actually a feature of the “tubular Twenties,” not the late nineteen twenties.

Women shaped like test tubes, probably thanks to their corselets. A blouse (left) and a tunic blouse, right, from the “tubular twenties.” Delineator, 1924. I used to wonder how a thin young woman (right) could possibly have a bust that low! [It was mashed by her undergarment.]

If you didn’t want to wear a corselet, you could opt for a separate girdle, worn with or without a bandeau to flatten your breasts. Corsets and girdles of the 1920s were designed to flatten your posterior: “Underpinning  Twenties Fashions: Girdles and Corsets.” Click here to read.

If you are curious about “bust flatteners” or “bound breasts” in the nineteen twenties,  click here for “Underpinning the Twenties: Brassieres, Bandeaux, and Bust Flatteners.”  It has lots of illustrations.

If  you are curious about what 20th century women wore before the modern brassiere, these two posts give  a quick review of brassieres, and their transition from the 1910’s to the 1920’s.

https://witness2fashion.files.wordpress.com/2016/04/sears-1917-spring-catalog-brassieres-with-boning500.jpg?w=500&h=407

The fact that women have two, separate breasts was hidden by these “monobosom” brassieres. WW I Era. Older women probably continued to wear these in the 1920s.

To read Part 1, “Uplift Changes Brassieres: 1917 to 1929, Part 1” click here.

For Part 2, “Uplift Changes Brassieres: Late 1920s Brassieres,” click here.

The monobosom of the early 1900s slowly gave way to the more natural look — with support — of the 1930s:

From a Maiden Form brassiere ad, Womans’ Home Companion, 1936. “For that all-important line of separation.”

The Book, “Uplift: The Bra in America,” by Jane Farrell-Beck and Colleen Gau covers other decades in addition to the Twenties.  Learn more about this fascinating book here.

Of course, not all women were “bound” to be boyish. Click here to read “Not All Flappers Wanted to Be Flat in the 1920s.”

Between the dress and the flattening girdle, corset, bandeau, or corselet, — or between one’s skin and the dress — were sometimes very delectable silk or rayon undergarments.

Trousseau lingerie from Paris, the house of Doeuillet- Doucet. Illustrated for Delineator, June 1929.

There were also some very awkward looking combination garments. See: Envelope Chemises, Step-ins and Other Lingerie. That post elicited wonderful comments about vocabulary and links for further research.

My mother models her one piece camiknickers and her rolled stockings. About 1918.

Butterick “cami-knickers” 5124 with “envelope chemise” 5059. Delineator, April 1924.

Women also wore some not very sexy drawers or knickers….

Right, knickers for 1924. You can often get a glimpse of these in silent movies — especially in comedies, when a woman does a pratfall or climbs into a vehicle. These knickers have elastic at the waist and above the knees — for undergarments, the words “knickers,””bloomers,” and “drawers” were sometimes used interchangeably.

See “Theda Bara’s Bloomers” for a distinctly un-sexy pair — on Cleopatra!

 

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Sport Clothes for Travel: January, 1929

What to wear on your Florida vacation; Delineator, January 1929, p. 24. Coat lengths varied, but wearing a coat shorter than your skirt was chic.

When magazines wanted to show summer fashions in winter, they ran a “travel”or “resort” article. The following outfits aren’t especially summery, but they are very attractive, sporty casual looks from 1929.

Right, a matching 3/4 (or 7/8) length coat and striped dress. From an ad for the Butterick pattern catalog. Delineator, Jan. 1929.

“The Seasoned Traveler Wears Sports Clothes.” From Delineator, January 1929, page 28.

People used to travel dressed more formally than they do now, that’s for sure! Even today, a lot depends upon your destination — city or country. These outfits from 1929 are sporty — but they are suitable for dining out, shopping, attending theatre matinees, etc. (In modern times, they would be dressy enough for just about any urban activity, since “sporty” now means “for active sports.”)

“The travel ensemble:” A coat lined to match the trim on the dress. Butterick coat 2385 with dress 2377. Delineator, Jan. 1929, pg. 28.

“The seasoned traveler wears an uncrushable ensemble of straight, three quarter length coat with scarf collar and patch pockets, and a simple, tailored frock with selvedge bow-knots at neck, wrist and waistline, pleated skirt attached across the front, and a one-piece back.”

[I took these photos years ago, before I developed a system for taking photos from bound magazines at the library, so their quality is not what it should be!]

“The selvedge border costume.” Butterick three quarter length coat 2386 with pattern 2423, a blouse and wrap skirt. Jan. 1929, p. 28.

That outfit and the one above use “selvedge borders” as trim. I do wish this was explained in detail.

Butterick jacket/coat 2419 coupled with skirt 1760 creates a classic suit. Jan, 1929, pg 28.

The coat (2419) is double-breasted and has three patch pockets trimmed with one button each. The skirt is box-pleated across the front but plain in the back — pattern 1760 first appeared in 1927.

“The coat frock of wool.” The coat dress, Butterick 2345, has separate white pique collar and cuffs (easy to remove and wash). “The fabric should be tweed, checks, etc.” The  wide belt is leather; there are bust darts at the shoulders to “perfect the fit.” In sizes from 15 years to 48 inch bust. From January 1929.

“The runabout frock.” Butterick 2410 from January 1929, Delineator, pg. 28. “The simplest of the little tailored woolen frocks are button trimmed.” This one-piece dress “has buttons on its new, longer blouse…. A third group of buttons is on the wrap-around skirt that has a wide box plait in front and is one piece and set on a yoke.”

The following page showed more dresses; these were for lighter fabrics than wool.

“The button frock,” Butterick 2421, attributes the use of sets of buttons to Chanel. The frock has a one-piece front that wraps around and is laid in plaits at the last turn of the zig-zag closing.” A matching point trims the sleeve. In sizes 32 to 44 inches. Delineator, January 1929, pg. 29.

Butterick’s “tailored frock” 2382 was shown on page 29 with silk or cotton dresses, but tweed or linen were also options. The collar matches the turn-back cuffs. The cord laced through the center front is very sporty, and the belt carriers are clever. Delineator, January 1929, p. 29.

The groups of four tucks at the shoulders of 2382 remind us that breasts were no longer being flattened.

The following three “Palm Beach” outfits include light coats or jackets; this was January.

“Summer Fashions for Winter” are resort clothes. Delineator, January 1929, pg. 24.

From left:

Butterick 2398 (the sheer coat) and dress 2076. Delineator, January 1929.

The sheer coat is 7/8 length, with a long scarf built into the collar. It’s worn over a printed frock with long sleeves.

A cardigan is worn over a simple top and pleated skirt. Butterick pattern 2392 included all three pieces; the cardigan jacket is not knitted, but made of a woven fabric. Delineator, January 1929.

“The [bias plaid] blouse has a scarf collar, the straight skirt is on a yoke and the open cardigan is belted. The jacket and blouse are in the new slightly longer length.”

“Runabout frock” 2410 also has this longer bodice — a slight change that happened just before the waist returned to its natural position in the 1930’s. As charming as this cardigan outfit is, I doubt that the “bias plaid” fabric would have looked like that when knife pleated!

“The printed ensemble.” Butterick 2390 uses matching fabric for the coat and dress. “The plaited skirt is sewed to the sleeveless body to give a two-piece effect.” January, 1929.

Here’s another 1929 outfit with chevrons and bows down the front:

Center: Butterick blouse 2565 from Delineator, April 1929.

Styling tricks: The chevrons on blouse 2565 point down, and the four bows line up to draw our eyes to the center of the torso, which creates a slenderizing optical illusion. But the two chevrons on 2390 draw our eyes to the sides of the dress, making the figure look broader, and two bows are not enough to create a line. The bows and the chevrons fight for our attention.

Left: Chevrons and bows, 1929. I think blouse 2565 is a better design.

The outfit on the right, Butterick 2359, has a series of horizontal bars which get wider as they approach the hip.  When the jacket is almost closed in front, they would create a long, narrow, vertical center of interest. Without the jacket, they would create a triangle with its base at the widest part of a woman’s body. In an era that valued slim hips, that’s not a good design 🙂

 

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Filed under 1920s, 1920s-1930s, Sportswear, Tricks of the Costumer's Trade, Vintage Accessories

Dresses for Girls; June 1928

The little girls at left wear short, loose dresses (with matching panties under them). The older girl at right wears a dress with dropped waist and other fashion features seen in dresses for adult women. Butterick 1482,  Delineator, June 1928, pg. 40.

Butterick 1903 is for a very young girl; Butterick 2075 is for a school-age child.

Dresses for young girls: left, No. 1903 for girls 2 to 6; right, No. 2075 for girls 6 to 10 years old. Delineator, June 1928.

Dresses for very little girls don’t have the twenties’ silhouette, but dresses for school-age girls and pre-teens often do echo adult fashions.

The girl at right in this illustration has a grown-up shingle haircut:

Butterick 1482 has many style details also found on adult dresses, including a dropped waist, shirring, & bound armholes and neckline. The dress for girls 8 to 14 is very short, exposing the entire knee.

Butterick 2079 for girls aged 8 to 15 has an asymmetrical neckline option and a double band at the dropped waist. Delineator, June 1928. It’s shown in a border print.

A much more formal dress for a woman, left, has the same double band:

Women’s patterns from Butterick, July 1927. Delineator.

This dress for a girl age 8 to 15 is quite like women’s fashions, although a grown woman probably wouldn’t have that sweet double fish applique below the pocket. Butterick 2007, Delineator, June 1928, pg. 41.

Butterick 2089 for girls age 8 to 15;  Delineator, June 1928, pg. 41. The balloon print — or are those lollypops?– is childish, but the two-piece look is grown-up.

An adult dress with the two-piece look is very similar, although the proportions of the adult version — including skirt length — are different :

Butterick 2052 from Delineator, May 1928.

Striped fabric used in two directions on Butterick 2019, at right, was also a feature of adult fashions. Delineator, June 1928, pg. 41.

The play of stripes — used vertically and horizontally — enlivens this dress for larger women. Delineator, June 1928, pg. 38.

The party dress with a bertha collar was often recommended for teens rather than adults, so the girl in the following dress might not have enjoyed the “grown-up” feeling of the other dresses in this post:

Butterick 1850 is a style similar to those suggested for teenagers to age 20. Delineator, June 1928.

Here’s another party dress with a bertha collar, (right) also for girls 8 to 15.

Two Butterick patterns for girls up to 15 years. Left, No. 1259, is sporty and chic as any adult dress; right, dress 1271 has a bertha collar and soft scallops. Delineator, February 1927.

https://witness2fashion.files.wordpress.com/2015/06/1926-sept-p-27-7065-7024-7059-7047-7063-7057-7003-7053-top1.jpg?w=290&h=500

The dress on the left is much more conservative than the one on the right. From September, 1926; Delineator.

P.S.  Many of these photos from 1928 were taken several years ago, before I figured out how to optimize my use of bound volumes in the library (which includes taking pictures by daylight between 12 and 3:30 p.m. to get the best natural light — before the library’s artificial lighting comes on and introduces new color temperatures to confuse my digital camera!)

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Filed under 1920s, 1920s-1930s, Children's Vintage styles, Hairstyles, Sportswear, Vintage patterns