Tag Archives: Uplift

Underpinning the 1920s: Brassieres, Bandeaux, and Bust Flatteners

The women’s undergarment called a “brassière” has been around since 1905 in the U.S. (1) and before 1912 in England (2). However, the first brassieres didn’t look anything like the garment we know today. (Numbers) indicate sources listed at end of post. [Read about 1920s Girdles and Corsets here. Read about Early 1920s Fashions here.]

Boneless Brassieres from the Perry, Dame & Co. Catalog, 1917

Boneless Brassieres from the Perry, Dame & Co. Catalog, 1917

Warner Brothers Brassiere Ad, March 1925

Warner Brothers Brassiere Ad, March 1925, Delineator.

A very similar brassiere, made entirely of delicate machine lace, is in the Victoria and Albert Museum.

Lace Bandeau Brassiere circa 1920, Fashion in Detail drawing by Eleri Lynn, Photographs by Richard Davis

Lace Bandeau Brassiere circa 1920, from Fashion in Detail. (4) Drawing by Leonie Davis, lace photograph by Richard Davis. It closes at the side back with hooks and eyes, so the help of a maid would be required to put it on.

An undergarment like this, worn very tightly, would compress the breasts. However, if I had found any of these brassieres in a box of vintage underwear, I might have classified them as camisoles, rather than brassieres.

The first uplift brassieres — with shoulder straps and a snug, elasticized band below the breasts, and, most importantly, two distinct cups for the breasts — were not mass-produced until the mid-to-late nineteen twenties.

Ideal Fashion Figure, Early 1920s

Couture dress by Lucien Lelong, 1925; Clara Bow, photographed by Dyar for Vanity Fair, 1928

Couture dress by Lucien Lelong, 1925; Clara Bow, photographed by Dyar for Vanity Fair, 1928

Movie star Clara Bow had an ideal figure for early 1920s fashions; she epitomized the garçonne, or “boy-girl” look.

Butterick Ad, Delineator, June 1925.

Butterick Ad, Delineator, June 1925.

Naturally, most of the women alive in the twenties did not look like boys at all.

Young woman and her mother, 1920s. Photo courtesy of rememberedsummers.

Young woman and her mother, 1920s. Photo courtesy of rememberedsummers.wordpress.com

And this is where the brassieres, bandeaux, and bust flatteners come in.

Bust-flattening Bandeaux and Brassieres, 1920s

Ads for De Bevoise Bandeaux, May & April 1925. Both are made of stiff corset material; the one on the right is boned and designed to flatten a more mature figure.

Ads for De Bevoise Bandeaux, May & April 1925. Both are made of stiff corset material; the one on the right is boned and designed to flatten a more mature figure.

The terms brassiere and bandeau were not used consistently, but in general a 1920s “bandeau” was a band that went around the chest, supported by two ribbon straps.

Bandeaux, 1928. Picture from Everyday Fashions of the Twenties, by Stella Blum.

Bandeaux, 1928. Picture from Everyday Fashions of the Twenties, by Stella Blum.

A “brassiere” was less skimpy and usually reached to the waist; both brassieres and bandeaux had one or more tabs that could be used to attach them to the girdle or a waist-high corset, which in turn had suspended garter hooks which attached to the stockings.

Old-fashioned brassieres from a 1928 Sears catalog would have appealed to older women.

These old-fashioned brassieres from a 1928 Sears catalog would have appealed to older women.

You can see that, although the brassieres above resemble the brassieres from 1917 pictured at the top of this post, there is a difference:  these 1920s brassieres have almost no curve. They are meant to flatten the bust.

Brassieres for "stout women" from a Sears catalog, 1928-29. From Everyday Fashions of the Twenties, p. 130.

Bust flattening brassieres for “stout women” from a Sears catalog, 1928-29. From Everyday Fashions of the Twenties, p. 130.

The brassiere on the left is “for stout women and nursing mothers” [Ouch!] only because it fastens up the front.

Reducing Brassieres

Women who were not content with compressing their breasts could try to reduce them:

The Bailey rubber reducing brassiere. Ad from Delineator, July 1918.

The Bailey Rubber reducing brassiere. Ad from Delineator, July 1918.

The Madame X Reducing Brassiere, November 1924. It was also made of rubber, to encourage water loss.

The Madame X Reducing Brassiere, November 1924.

Madame X corsets, girdles, and brassieres were also made of rubber, and usually worn over an absorbent undergarment. The purpose of the rubber was to “sweat off” the fat.

Brassieres That Hold Your Stockings Up (and Push Your Breasts Down)

Brassieres from 1928-29. Pictured in Everyday Fashions of the Twenties.

Brassieres from 1928-29. Pictured in Everyday Fashions of the Twenties.  The brassiere on the left is unboned and “comfortable for sports or dancing.” The one on the right “can be worn without a corset.”

Even in the twenties, some objected to bust-flatteners on the grounds that they would damage breast tissue. These garter-and-brassiere combinations, with the stockings exerting a constant downward pull, must have forced all but the smallest breasts to crease at the bottom. In addition to breaking down the breast tissue,  imagine how perspiration forming in those creases would have caused rashes and general misery in warm weather.

Bandeaux and the Boyshform Binder

These 1928 bandeaux have elastic backs, and either a back or side closing. Notice that they have some easing along the side seam, but they still have the “uni-bosom” or “mono-bosom” look of the previous century, as if a woman had one, large, oblong breast running across her chest. These bandeaux were intended to make even that slight curve disappear.

Bandeaux. Picture from Everyday Fashions of the Twenties.

Bandeaux, 1928. Picture from Everyday Fashions of the Twenties.

I have not yet come across a picture of the Boyshform binder. The Boyshform company was formed about 1918 and “claimed optimistically that its utterly flat bandeaux would hold the bust in position without ‘pressure or pinching.’ ” (1)  Another bust flattener with a punning name was the Kabo Corset Company’s “Flatter-U.” The bust reducer illustrated below has a back made from corset material and a front made from several overlapping bands of elastic stitched together:

"Elastic Front Brassiere Bust Reducer gives the bust firm lines. Corset material back...." 1928. Pictured in Everyday Fashions of the Twenties.

“Elastic Front Brassiere Bust Reducer gives the figure firm lines. Corset material back….” 1928. Pictured in Everyday Fashions of the Twenties.

The authors of Uplift: The Bra in America suggest that the Maiden Form company trademarked that name in 1924 to distinguish the purpose of its new, non-flattening bras from the Boyshform flatteners.

Corselets, Corsolettes, Corselettes, Corsettes and Other Combination Undergarments

The discomfort of brassieres that had to be buttoned with a tab to corsets or girdles — and probably often produced a bulge at the waist where the gap occurred — led to the widespread adoption of a combination garment that was called (with several spelling variations) the corselette.

1924 Brassiere Corset combination, 1924 Long Brassiere 1925 Treo Brassiere Girdle Combination Garment Ad. All from Delineator magazines.

1924 Brassiere Corset combination, 1924 Long Brassiere; 1925 Treo Brassiere Girdle Combination Garment Ad. All from Delineator magazines.

Treo undergarments, here pictured from an ad in Delineator magazine, were sold in stores and also carried as a brand name in the Sears, Roebuck catalog, so they reached a wide spectrum of customers. (1)

1925 Bien Jolie Step-In Corsette Ad, Delineator.

1925 Ad for Bien Jolie Step-In Corsette; “which comfortably flattens the lines of the body.” Delineator.

Corselette pattern from Butterick, 1925. Delineator magazine.

Butterick Corselette pattern, 1925. Delineator magazine.

Women could also make their own simple — and flattening — brassieres, bandeaux, and corselettes from sewing patterns until true uplift bras, which “lifted and separated,” became available in the mid-1920s, and were too complex for the home stitcher. Simple bandeaux which had cups, but did not give support, were still featured in pattern catalogs.

The End of the Boyish Form

Breast flatteners and binders continued to be sold throughout the 1920s, but the return to a more natural, feminine figure in the second half of the twenties — accompanied by the invention of brassieres that had cups that fit and actually supported the breasts — gradually put an end to bust flatteners. The Boyshform company was in financial trouble by August of 1925 and went bankrupt in 1928. (1)

Sources especially useful for this post include (1) Uplift: The Bra in America, by Jane Farrell-Beck and Colleen Gau; (2) Fashion in Underwear: From Babylon to Bikini Briefs, by Elizabeth Ewing; (3) Everyday Fashions of the Twenties as Pictured in Sears and Other Catalogs, by Stella Blum; (4) Women’s and Children’s Fashions of 1917: The Complete Perry, Dame & Co. Catalog, a Dover Book; (5) Fashion in Detail: Underwear, (V&A Museum), by Eleri Lynn, Photographs by Richard Davis, Drawings by Leonie Davis; (6) The Mode in Costume, by Ruth Turner Wilcox, (7) Fashion, by Mila Contini; (8) History of Twentieth Century Fashion, by Elizabeth Ewing, (9) 20,000 Years of Fashion, by Francois Boucher, and issues of Delineator magazine from 1924 to 1929.

 

 

 

 

 

 

 

 

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Filed under 1920s, A Costumers' Bookshelf, Bras, Corselettes, Corsets & Corselettes, Hosiery & Stockings, Old Advertisements & Popular Culture, Underthings, Hosiery, Corsets, etc, Vintage patterns, vintage photographs, Vintage Styles in Larger Sizes

Two Whiting and Davis Mesh Bags, 1924

Whiting and Davis Gift Bags (Purses) 

Whiting & Davis Christmas Ad, December 1924

Whiting & Davis Christmas Ad, December 1924

The number of surviving enameled mesh bags by Whiting and Davis amazes me, as does the variety of designs and vivid colors. No wonder they are collectors’ items! Two ads from The Delineator magazine, 1924, one a Christmas ad, and one from May, suggest giving Whiting and Davis bags as presents. Those were the only months when Whiting and Davis ran ads in the magazine.

That made me realize that most of these beautiful bags that have survived in perfect condition were probably gift items.  And, at original prices from five to five hundred dollars, they were very nice gifts, indeed. 1924 dec p 90 whiting davis mesh bag adAccording to Farrell-Beck and Gau’s Uplift,  p. 39, “Among women in clerical and business jobs, the annual median wage in the late 1920s was $1,548  [i.e., less than $30 per week.] Weekly paychecks ranged from $6 for an office girl to $40 for a skilled bookkeeper.”  Even a $5 evening bag was a luxury item for most women. And, like many gifts, I suspect that a lot of the most spectacular enameled purses were rarely, if ever, used. It’s hard to coordinate a dazzling bag in elaborate patterns and colors with anything but a solid-colored dress, lovely as the bag may look in its gift box.

Christmas Gift, 1924: A Whiting and Davis Vanity or Utility Mesh Bag

Whiting & Davis Christmas Ad, December 1924

Whiting & Davis Christmas Ad, December 1924

This advertisement, from The Delineator, December 1924, gives prices and describes two different bags: The tiny ‘Delysis’ Vanity Mesh Bag, hanging from the arm of the woman in the illustration, has “two mirrors and separate compartments for rouge, powder, and handkerchief.” 1924 dec whiting davis bag ad xmas delysis1924 dec p 90 big whiting davis mesh bag ad

The ‘Utility’ Mesh bag [left] is “silk lined, with Vanity Mirror.”  Available from “leading jewelers and jewelry departments; $5 to $500.”

Bridal Gift, 1924: A Whiting and Davis Bag in Gold or Silver Soldered Mesh

Click to enlarge

Click to enlarge

In the May issue of the same magazine, the Whiting and Davis advertisement suggested that their Renaissance Design bag [right] “in shimmering silver or mellow gold” would be an ideal gift for the bride, or as a gift from the bride to her bridesmaids. “Doubly dear to feminine hearts for its smart correctness, as well as its daily usefulness.”

Click to Enlarge

Click to Enlarge

The Renaissance bag, of “Soldered Mesh” is the ‘chain mail’ type, not the flat, very shiny linked bags which are still made today.

[Note the size in relation to a woman’s hand. Apparently, the woman of 1924 did not have to carry as many objects in her daytime handbag as we do now!]

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Filed under 1920s, Old Advertisements & Popular Culture, Uncategorized, Vintage Accessories