Caught isn’t the right word; “enraptured” might be more accurate. I finally have a chance to visit bound volumes from the mid-nineteen twenties and photograph them, and I wish I could post everything I find. By 1928, Delineator magazine is filled with the styles we think of as “the twenties.”
There’s a strong Art Deco influence in the geometry of day dresses, and there’s drama, beading, and a flutter of chiffon in the evening.
For a knock-out evening coat by Lanvin, circa 1927, click here.
Perhaps it’s because I’m a sixties’ girl that the proportions of 1928 look “right” to me. Not that I would ever want to wear a straight-torso-with-hip-belt dress, but the knee-length skirt balances them better than the skirt lengths of 1925 or 1926.
With my library time machine, I’m currently “visiting” 1926, 1927 and 1928. I try to bounce around from decade to decade in this blog, but getting out of the late Twenties is going to be hard.
I’ve already written about the fashion shift of the mid-twenties (click here.) Just to review, fashions for young women (15 to 20) were slightly shorter than those for mature women in 1925 and 1926.
Because teens and adults were drawn differently, it’s hard to get an exact comparison, but the hems on the adult women seem to be a couple of inches farther below the knee. When I compare the two dresses in the center, the orange one on the right looks dowdy to my modern eyes. All four figures are drawn with impossibly long torsos.
Here are some Butterick fashions from 1926:
The proportions on these knee length skirts look “right” to me, but they are not dresses for young women; they are for girls under 15. I especially like that plum colored outfit on the far left.
These are Butterick patterns from 1927:
These couture designs for evening, 1927, use metallic fabrics and beading, and look quintessentially “Twenties.” It would be hard to mistake the dress on the left for any other era.
If you love the Twenties, it’s hard not to think, “Now, we’re getting somewhere!”
The Metropolitan Museum has a beaded dress from 1926 attributed to Chanel; click here — and don’t forget to click on “Additional Images” for a a close-up of the beading and spangles.
A few images from 1928:
This young lady appeared in an ad for Fleischmann’s yeast, which, she said, restored her health. The fabric of her glittering dress is quite striking: