By the summer of 1926 the “look” we associate with the 1920s – short skirts, no waists, and a horizontal line across the hips – was truly the dominant fashion. These dresses for Misses – i.e., women aged 15 to 20 – look fresh and youthful, especially in contrast to the long, tubular fashions of 1924. Seeing these designs in color is a treat, and a reminder that the clothes worn in silent movies were not actually black and white.
Misses’ Pattern Sizes in the 1920s: “What Does Size 16 Years Mean?”
In Butterick patterns, a Misses’ size was shorter than a Ladies’ size. Misses patterns were sold by age [!]; Ladies’ patterns were sold by bust measurement. For most of the 1920s, “Size 15 years” equated to “petite with a 32″ bust.” “Size 17 years” meant a petite with 34″ bust, “19 years” fit a 36″ bust, and “20 years” was a petite 37.” Often a style is described as “For Misses and small women;” several of these styles say they also come in Ladies’ sizes 38 and 40.
The usual run of Butterick Ladies’ sizes in 1925 was 33″ through 44.” Articles in Butterick’s Delineator magazine sometimes gave fitting advice for short women, but special patterns for adult women who were 5″ 4″ or shorter had not yet appeared.
The dresses on page 27 were for young women – for flappers. Styles for mature women were subtly different, as were the proportions of the fashion figures that illustrated them. These two dresses appeared on pages 27 and 28 of the same issue.
Obviously, the Misses’ illustrations are much less distorted.
The Individual Dresses with Their Descriptions
6913 — Embroidery splashes the white frock with color. Work in Satin-stitch. For this slip-over one-piece princess dress with inverted tucks or shirrings use Georgette, silk or cotton voile, batiste, radium, taffeta, satin crêpe, etc. of one material, etc…. Lower edge 58 inches…. For misses 15 to 20 years, also small women. [I confess that I love this dress – and the appliqued hat. You wouldn’t need to embroider the sleeves to reproduce it; # 6921 shows that making lower sleeves from a different fabric was in style.]
6935 — A transparent hem, rising in front, is the latest Parisian offering in evening frocks This slip-over orange dress closes under the left arm, has a basque and a lower edge scalloped or straight. Lower edge 2 7/8 yards…. For misses 15 to 20 years, also small women. [This dress is interesting for many details. It is an early example of the short-in-front-long-in-back evening dresses of the late 1920s. It is clearly inspired by Jeanne Lanvin’s robes de style. And it has a side seam fastening – presumably snaps – under the left arm, which should be of interest to vintage dealers trying to date dresses with side openings.] Dress 6935 may be described as “orange” in the text, but it really did look yellow-gold in the magazine.
6921 — The Gipsy girdle encircles this attractive slip-over frock with touches of jade-green. It has a straight gathered skirt and is delightful for radium or satin crêpe with contrasting organdy, batiste, or Georgette, etc. Lower edge 60 inches…. For misses 15 to 20 years, also small women.
6904 coat dress — Cool and very smart in town is the coat frock with its saddle shoulders and straight gathered skirt attached at a low waistline. The separate one-piece slip has a camisole top. The color is fuchsia…. Lower edge of slip 44 inches…. The coat dress is for Misses 15 to 20 years, ladies 38, 40 bust.
6927 — Green-striped, smartly bosomed, this one-piece slip-over frock gives the effect of a two-piece style. A cluster of box plaits is inserted at the front. Use flat crêpe, Canton crêpe, satin crêpe, heavy crêpe de Chine, silk broadcloth, shantung, washable silk crêpe, etc. Lower edge, plaits drawn out, 57 inches. The dress is attractive for misses 15 to 20 years, also small women.
6903 — Tiered circular ruffles are attached across the sides of this slip-over one-piece tan dress. Plain or printed silk voile, crêpe Roma, etc., with taffeta tie collar, etc., or satin crêpe with reverse side, are smart for it. Lower edge 44 inches….Chic for misses 15 to 20 years, also small women.
6924 — Crêpe de Chine, heavy Georgette, silk or cotton voile, silk-and-cotton crêpe, pongee, etc., with smocking or shirring and contrasting collar and cuffs are smart for this type of one-piece slip-over frock with straight lower edge. The colors are pervenche blue and tan. Lower edge 51 ½ inches. …For misses 15 to 20 years, ladies 38, 40 bust.
6902 — A new silhouette, hip-flared, is illustrated in the slip-over blouse of this two-piece bois de rose frock. The straight skirt with a box pleat at front is attached to an underbody. It is smart for flat crêpe, Canton crêpe, heavy crêpe de Chine, satin, etc. Lower edge, plait drawn out, 51 inches…. For misses 15 to 20 years, also small women. [An underbody means the skirt hung from the shoulders, not the waist. The back view — at the bottom of this post — shows a flared peplum. The color “bois de rose” was very chic, a grayed red, less coral than it appears here. ]
Design Tricks to Make Twenties’ Dresses More Flattering
Designers are aware that a horizontal line across the widest part of a woman’s body – the hip – will add pounds, visually. That’s why late twenties styles can be so cruel to a less-than-boyish figure. Pattern manufacturers were aware of this problem; Butterick patterns in average sizes assumed that the hip was two inches larger than the bust, as they do today.
So it’s useful to pay attention to the many ways these authentic 1920s designs drew attention away from the horizontal hip line that defined the era. Notice all the optical tricks that direct the eye toward the face, or create a slenderizing vertical line to add height and draw the eye toward the center of the torso.
Back Views and Alternate Views
6 responses to “Dresses for Flappers, July, 1926”
What incredible detail in the drawings and the descriptions. It puts current sewing magazines to shame! I think that the dress you like, with the tucks and the embroidery on the sleeves, looks quite Russian (or Eastern European).
Beautiful embroidery — sometimes with ethnic influences — really does add very individual details to twenties dreses, and those of the 1910s, too. Perhaps part of the impact of the Ballets Russes’ brilliant colors and patterns?
I love that these are in color. And I agree; the Ballets Russes had a long-lasting effect on fashion.
these are just beautiful!
Reblogged this on Stuff I Love and commented:
One of the best places to turn for 1920s (and other decades) fashion information is VintageDancer.com. I *love* these 1926 summer dresses!
PS – revised comment to thank witness2fashion for the lovely post. These are beautiful dresses; so glad vintagedancer pointed me to your blog!